Making Papier-Mache Marionette Puppets Inspired by Characters in a Historical Painting

By Jan Miller

This resource is part of a collection called Teaching Art to Year Three.

Children wanted to tell the story illustrated in a historical painting to younger children. They chose Penelope with the Suitors 1509 by Pintoricchio, (displayed in the National Gallery, London). They investigated historical puppets and dolls and thought marionettes would allow most animated movement. They wanted to be ambitious with colour and add decorative textiles. Some made Penelope and some made suitors.

Paper-mache marionette

  • Who are the sessions aimed at?

    The sessions were run with children aged 8. 

    The resources below can be used with children aged 7 to 11 (older KS 1 children and KS 2 children).

     

  • Which areas of exploration are covered?

     

    • Drawing and designing.
    • Researching dolls and puppets
    • Decision-making
    • Problem solving
    • Steered by a visual plan
    • Learnt about structures and mechanisms
    • Used construction techniques
    • Used a wide range of tools, materials, processes
    • Appreciation of historic art.
    • Review, edit, adapt, modify and improve work throughout.
    • Making a model that meets a purpose.

     

     

  • How much time is needed and how can it be varied?

    Each of the six sessions below took one hour with the whole class. If you are working with a smaller group of children, the activities may take less time. The puppets could be made in four longer lessons – designing and making, papier mache, painting base colour and making handles, painting colour and adding detail and attaching handles. Sketchbooks were available in all lessons with their plan as reference – although these were not used as a blue-print.

    The children developed an understanding of working in an ordered process. If you follow all the sessions you will cover all the areas of exploration listed. However if time is limited, children could work in pairs, they can tackle the making without prior designing. Teachers  could do more prep, for example once lesson is given over to painting the model a basic colour, this could be can be done by the teacher using a big household brush;  there is no particular skill involved for the pupil.

    A different painting could be used as stimulus.

     

  • What contexts might the sessions be used?

     

    • Classrooms (as part of art lessons or workshop)
    • After school art club or AG&T group.
    • Community groups (i.e. Scouts and Guides)
    • Gallery, Museum or Art Organisation workshops

     

  • Materials, Equipment & Preparation

     

    Materials and Equipment

    • Newspaper
    • Masking tape (1 x holders is ideal for table or children can rip a long strip into pieces, attaching to edge of table.
    • Floristry wire – thin flexible length – scissors cut this
    • Goggles for when working with wire
    • Cellulose paste- this will keep in a box
    • Small off cuts of square section wood or small branches
    • colour of acrylic paints, inc. black
    • White emulsion/brushes
    • String
    • colours plasticine
    • Googly eyes
    • Small amount of offcuts of wools, ribbon, braiding

     

    With adult supervision, children used a saw and cool melt glue. Goggles were used when handling wire and they were encouraged to always bend wire ends over. Some children do not like handling the glue, so some disposable gloves were available.

    Most children worked unaided throughout, but some needed some assistance when calculating the length of string.

     

Week 1 Designing the puppet

As well as old master paintings of suitors, antique dolls were used as inspiration for designs. It showed the children the large scale of materials used when making small dolls.

 

They created a labelled drawing of their design and were encouraged to be ambitious with colour and creative with their ideas.


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Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

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Alvaro Naddeo

“Art has a political role. I believe we as artists can and should put subjects to be discussed, to be reflected upon, and to be talked about.”

Alvaro Naddeo is originally from São Paulo, Brazil and currently in Los Angeles, USA.

Alvaro’s father was an illustrator and Alvaro spent much of his childhood drawing, however he moved into advertising as a profession. Recently he returned to make his own artwork.

Alvaro wears contact lenses or glasses to correct his “bad eyesight” but he doesn’t like to wear glasses when he paints. When he takes his glasses off, the world is blurry, except when he is very close up to his work, at which point it is focussed. He thinks this is why he enjoys creating so much detail in his paintings. 

In terms of subject matter, Alvaro credits his years working in advertising as being an influence. He paints recognisable brands and disposable objects which are both attractive to us and also remind us of our tendency towards wasting resources. 

Visit Alvaro’s website to see more of his wonderful work. 

Illustration By Alvaro Naddeo

“The subject matter of my work is waste, overconsumption and social inequality” Alvaro Naddeo

Please note in the video below there is a small and brief detail of a woman’s torso. As teacher pls decide if you want to show the video. 

Apologies if you cannot view the video below on Youtube if your school has blocked Youtube. 

Questions to Ask Children

Take a really close look at Alvaro’s work on his website. Notice how his work changes over time. 

What do you think Alvaro’s main interest are? How many different elements / objects does he bring into one piece? How does he connect them? Does he play with scale?

How do you think Alvaro uses his skill as a painter to draw attention to issues which he thinks are important?

How long do you spend looking at each painting? Do you understand more about the work the longer you spend looking?


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Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However, external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

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