A collection of imagery and sources designed to introduce children to using their whole bodies to respond to paintings.
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*
This resource is free to access and is not a part of AccessArt membership.
Dancing to Art by Tate Gallery
“Corali, a leader in dance created by artists with a learning disability, have worked with Tate since 1998 and are experts in creatively taking up space in our galleries. We invited Paul, Sherri, Bethan and Dj from Corali to design performances in response to four artworks at Tate Britain. We wanted to show what happens when people have the freedom to enjoy the gallery however they want, and how this can open up new ways of responding to art.” – Tate Youtube
Watch the video with the pupils, and look at the images below. Find out how you can respond to art through dance.
Improvisation 35 (1914) painting by Wassily Kandinsky
Claude Monet’s Impression, Sunrise (1872) famous painting. Original from Wikimedia Commons.
Questions to Ask Children
What movement might you use to describe a windy day?
What movement would you use in response to the colour red? Blue? Green? Black?
Use your whole body to make a movement that represents an atmosphere or an emotion, such as gloomy, peaceful, excited…
How would you use your body to respond to a spikey / straight / curved line?
Artist Studio Series: Sara Reeve
Talking Points: Paddington Bear
A collection of sources and imagery to explore Paddington Bear.
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
This resource is free to access and is not a part of AccessArt Membership.
Paddington Bear
Paddington Bear is a fictional character in children’s literature. He first appeared on 13 October 1958 in the children’s book A Bear Called Paddington and has been featured in more than twenty books written by British author Michael Bond, and illustrated by Peggy Fortnum and other artists.
Paddington is also animated in stop motion. Paddington himself is a puppet in a three-dimensional environment, whilst other characters are paper cut-outs. The final television special used a slightly different technique using 2D drawn fully animated characters. Wikipedia
Watch the episode below and ask children some questions about what they can see.
Questions to Prompt Conversation with EYFS
What do you like about Paddington?
What kind of bear do you think Paddington is?
What can you see in the background? How is the background different from the way Paddington is?
What is Paddington wearing? What things does he have around him?
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Talking Points: What Is Form?
A collection of sources and imagery to explore the question ‘What Is Form?’
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*
This resource is free to access and is not a part of AccessArt membership.
What is Form?
Form can be placed into two categories: implied form and actual form.
Implied Form can be found in a 2D artwork that gives the illusion of form through perspective, shape, tone, line and colour.
Real form is a 3D object that exists in space and time, such as architecture or a sculpture.
All forms are either geometric and organic, whether they are real (3D) or implied (2D). Geometric forms are mathematical objects including cubes, pyramids and spheres. Geometric forms appear man made and can suggest something solid, balanced and permanent. Whereas organic forms look natural. They are irregular and may seem flowing and unpredictable. – BBC
Discuss the artwork below to explore the different types of form.
Implied Form
Power Station by Phil Dean
Homage to Morandi by Jason Line
Persische Nachtigallen (Persian Nightingales) (1917) by Paul Klee. Original portrait painting from The Art Institute of Chicago.
Bomber Lair (1940) painting in high resolution by Paul Nash. Original from The Birmingham Museum.
Tumbling Blocks Original public domain image from Smithsonian
Untitled (Bars and Blocks) Original public domain image from Smithsonian
Questions to Ask Children
Which artworks are made of organic forms? How do you know?
Can you see artworks with geometric forms? How can you tell?
Do any of the images have a combination of geometric and organic forms? Which ones?
Which style of work do you prefer and why?
Does this artwork look heavy or light and why?
How have artists given the illusion of form in this artwork?
Real Form
Paper Polar Bear Set by Nathan Ward
Bronze horse, Greek, Corinthian, MET Museum
Under Water: paper and movement in G.F Smith’s White Space by Nathan Ward
Lets Dance by Faith Bebbington 4 Close Up Of Newspaper Clothing
Wembley Lion (Cardboard) by Faith Bebbington
Aglow Liz West Nemozena 2018-9
Questions to Ask Children
What can you see in the sculpture?
Does the sculpture look heavy or light and why?
How does the light and shadow impact the sculpture?
With your finger in the air, draw the shapes you can see in the sculpture…
Which sculptures have geometric forms and which are organic? Which do you prefer?
Talking Points: Saoirse Morgan
A collection of imagery and sources designed to stimulate conversation around the work of Saoirse Morgan.
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
This resource is free to access and is not a part of AccessArt Membership.
Saoirse Morgan
“My paintings explore my connection with familiar landscapes. The subject of my work is my home terrain of West Wales: the landscape, the coast, the ecology. I am inspired by local colour, plant life, atmosphere and weather. I spent my childhood on small islands, surrounded by swirling tide races and wild, wind-blown seas. My terrestrial environment is maritime heath and lowland heath. It’s a warm, familiar colour palette, dominated by bracken, heather and gorse.” – Saoirse
Questions to Ask Children
How does Saoirse’s painting process connect to the sea?
How do the colours, shapes and textures evoke the atmosphere of the sea?
Questions To Ask Children
How does the painting, and process capture the essence of the sea?
What do you like / dislike about the painting?
How does the painting make you feel?
Questions to Ask Children
Are there any animals / insects / plants in your local area that has been suffering the consequences of climate change? How has your local landscape been affected?
Which Artists Should We Look At in Primary School?
Talking Points: The Ancient Art of Drawing Kolam
A collection of sources and imagery to explore the ancient tradition of drawing Kolam.
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*
This resource is free to access and is not a part of AccessArt membership.
‘Every morning at sunrise all across Southern India women practice the ancient art of drawing kolam on the thresholds of their properties. A physical form of prayer and symbol of protection, a daily exercise, and a moment of intense concentration and meditation, drawing kolam is an important household ritual that has a lot more to it than may first meet the eye.
Two very different women living in Chennai explain their shared passion for kolam, and their involvement in the local kolam competition.’ – BBC
Questions to Ask Children
What do you like/dislike about kolam drawings?
Do they remind you of anything?
What are some of the rituals do you take part in every morning?
A collection of sources and imagery to explore the question ‘what is composition?’
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*
This resource is free to access and is not a part of AccessArt membership.
Composition is the arrangement of different elements in a piece of artwork.
As well as positioning, elements like shapes, lines and colours can have an impact on composition.
Composition addresses the relationship between these different elements. Some artists aim to create a balanced composition in their artwork whilst others may choose to bring things to the viewers attention by creating imbalance.
Why is Composition Important?
Whether it is a painting, drawing, photograph, print or even a piece of sculpture, the way the elements are arranged impact upon how we respond to the piece of art. The artist might be trying to convey an emotion, or communicate a message, and artists use tools they have through composition to help sell those “messages”.
Throughout history, composition can be seen as an indication of the period or artistic movements that a piece of art has been created in.
Focal Point
The focal point is the area of the artwork which your eye is drawn to. The artist might use placement to draw your eye to an object (i.e. where the object is on the page), or they might use colour or value to draw your eye in.
How goes the artist draw your eye to a focal point in the illustration below?
Interior of the Temple of Aboo Simbel Nubia illustration by David Roberts (1796–1864)
What is the focal point for you in the paintings below? You might have a different focal point to your friends, or you might even have more than one? Where are your eyes drawn?
Little Girl in a Blue Armchair (1878) by Mary Cassatt.
Johannes Vermeer’s The Lacemaker (ca.1669–1671)
Balance / Imbalance
Sometimes the elements of an artwork lend to a sense of calm. This is usually because the artist has intentionally balanced colours, shapes and values.
In other artwork the artist deliberately makes us feel uneasy by throwing us off balance, by creating a sense of chaos…
Improvisation 35 (1914) Wassily Kandinsky
Rule of Thirds
Sometimes artists divide rectangles into a grid of 9 – 3 rows and 3 columns.
When working with landscape for example, artists might choose to place the horizon along one of the grid lines.
Jalais Hill, Pontoise (1867) by Camille Pissarro.
Golden Ratio
The Golden Ratio is a spiral and it can be found in nature and art.
Can you spot how the Golden Ratio is used in the “Katsushika Hokusai’s The Great Wave” above?
Classical Composition
Within the classic tradition, artists would create a sense of balance by arranging elements in geometric shapes such as triangular compositions.
Foxhound (1760) painting in high resolution by George Stubbs. Original from The Yale University Art Gallery.
Questions to Ask Children
What can you see in the foreground/background of the painting?
How do the colours vary from the foreground to the background? Why do you think these choices were made by the artist?
Where is your eye drawn to in this painting? What do you see next?
Can you see any triangles in the composition?
Symmetry
Can you see how symmetry has been used in the still life below by by Camille Pissarro?
How does this image make you feel?
Think about the colours AND the shapes, and where they are placed.
A collection of sources and imagery to explore the sculptures of Thomas J Price.
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*
This resource is free to access and is not a part of AccessArt membership.
Thomas J Price
Thomas J Price is a sculptor who questions the types of people that have traditionally been made into a sculpture and displayed on a plinth. Price is interested in making sculptures of anonymous people – people who are no one and everyone at the same time. By doing this he asks us as viewers to question: What is the purpose of sculpture? How do my figures speak to you?
Reaching Out
The Space In-Between
Ordinary Men
Questions to Ask Children
What do you think that the artist is trying to say with the sculptures?
Do you like the sculptures?
How do you think the artist makes the sculptures?
Describe the different types of plinths that the artist uses.
Why do you think the artist has chosen different plinths for different sculptures?
A collection of sources and imagery to explore the ways in which artists are inspired by birds.
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*
This resource is free to access and is not a part of AccessArt membership.
Artists often draw parallels with other lives/beings to help us learn about ourselves. The resources below explore how artists take inspiration from birds, not so much visually but by drawing parallels between behaviour of birds and ourselves.
Conference for the Birds by Marcus Coates
Conference for the Birds celebrates the lives of the birds Thomas Bewick depicted in his wood engravings. His book ‘A History of British Birds’ first published in 1797 was a comprehensive guide to both the appearance and behaviour of birds.
The birds, played by wildlife experts, discuss topics from migration to predation, with each species speaking about the challenges they face day to day. By exploring the lives of the birds that Bewick studied and depicted, this artwork attempts to reveal how we, when speaking from the position of another animal like a bird, rely on subjective experience to relate across to this alien perspective. – Kate Macgary
Marcus Coates, Conference of the Birds, 2019, (excerpt) Film by Kate MacGarry
Questions to Ask Children
What kinds of challenges might birds face?
How do you think it would feel to be sharing a space with the installation?
How does it make you feel? What does it make you think?
How do you think the artist made the heads?
Migrations: Open Hearts Open Borders
The Migrations project started when word was sent out to illustrators asking them to create an image for the front of a postcard (plus appropriate text on the reverse) on the theme of ‘migration’. The project’s aim was to ‘express support for and solidarity with the hundreds of thousands of human migrants who face immense difficulties and dangers in their struggle to find a better and safer place to live.’ When asking for postcards, the organisers stated ‘Do not be concerned about possible damage to the card that you will mail to us. The stamp, the journey of the mail and all it entails will reflect the fragility and the precarious nature of migration.’ – AOI
Questions to Ask Children
Why do you think that birds were used as a symbol in this project?
What do you like about this project?
Why do you think that they asked lots of illustrators across the world to join in with this project?
How does it make you feel? What does it make you think?
A collection of sources and imagery to explore the fashion label Pyer Moss.
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*
This resource is free to access and is not a part of AccessArt membership.
Pyer Moss
Pyer Moss (pronounced ‘Pierre’) founder Kerby Jean-Raymond grew up in Brooklyn, the son of Haitian immigrants, and has been engaging with the fashion industry since his teenage years, interning at 14, starting a label at 15. Now in his 30s, Jean-Raymond has been at the helm of Pyer Moss since 2013, naming it for his mother. After a long-standing collaborative relationship with Reebok, Jean-Raymond was announced as the vice president of creative direction for the sportswear behemoth in late September 2020.
Please be aware that the Pyer Moss website contains some inappropriate language for Primary ages so ensure that you check pages and content before showing the class.
Questions to Ask Children
What do you like/dislike about the garments in Pyer Moss’ collection?
Where might you wear these clothes?
How do these clothes differ from the other garments you’ve explored throughout this half term?
A collection of sources and imagery to explore the work of fashion designer Rahul Mishra.
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*
This resource is free to access and is not a part of AccessArt membership.
Rahul Mishra
Rahul Mishra runs a sustainable couture brand that works with handmade techniques to empower the craftsmen in New Delhi.
Rahul Mishra is the first Indian designer to showcase at the Paris Haute Couture Week.
A collection of sources and imagery to explore the work of fashion designer Tatyana Antoun.
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*
This resource is free to access and is not a part of AccessArt membership.
Tatyana Antoun
Tatyana Antoun is a fashion designer from Beirut, Lebanon. Tatyana’s collection ‘Vamata’ explores the social restrictions in Lebanon. Her work is heavily influenced by 80’s power dressing and the Club Kids of New York during the 90’s.
Find out more about Tatyana’s collection in her “Which Artists?” post.
Questions to Ask Children
Which garment is your favourite? Why?
Why do you think that Tatyana Antoun selected the chosen fabrics for her garments?
What do you think about the shapes that have been created in the garments?
Would you wear any of these garments? Where might you wear them?
Introduce children to the work of artist Luba Lukova.
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*
This resource is free to access and is not a part of AccessArt membership.
Luba Lukova
Luba Lukova is a designer who communicates themes of injustice in the world through her work.
A collection of sources and imagery to explore the work of landscape painter Kittie Jones.
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*
This resource is free to access and is not a part of AccessArt membership.
Kittie Jones
Kittie Jones is a fine artist based in Edinburgh. She graduated from Edinburgh College of Art and Edinburgh University in 2008; she currently works from her studio at Coburg House Art Studios in Leith and regularly exhibits around the UK.
“My work is concerned with the experience of time spent looking and interpreting the natural world. I am drawn to places which have an abundance of nature – sea bird colonies, fertile coastlines and remote islands. On drawing trips I will settle in a promising spot and start to develop work from there. The energy in the work comes from the constantly changing elements of the natural world – birds moving in and out of vision and the shifting quality of weather and light. “ – Kittie Jones
A collection of sources and imagery to explore the work of landscape painter Vanessa Gardiner.
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*
This resource is free to access and is not a part of AccessArt membership.
Vanessa Gardiner
“As a landscape painter I am captivated both by the beauty of the places on which my work is based and by the processes involved during the making of the pictures. In a sense, for me, they go hand-in-hand: the immediacy of drawing directly from the seemingly haphazard natural subject matter, with the careful selection and ordering of the compositions back in the studio.” – Vanessa Gardiner
Questions to Ask Children
Do you like Gardiner’s linear approach to landscape painting?
What does the texture add to the painting?
Does this make you think about landscapes differently?
How do the paintings make you feel?
What kind of atmosphere(s) does Gardiner capture in the painting(s)?
A collection of imagery and sources designed to stimulate conversation around the work of Xgaoc’o X’are.
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*
This resource is free to access and is not a part of AccessArt membership.
Xgaoc’o X’are
Two Giraffe and Two Birds II- Botswanan Printmaker Xgaoc’o X’are
Two giraffe and two birds II, Mono print, Xgaoc’o X’are, 50 x 65 cm
Xgaoc’o X’are grew up on a farm in the Ghanzi District in Western Botswana. He now makes mono Prints inspired by his knowledge and love of the Kalahari.
For Xgaoc’o, art gives him the opportunity to put the ideas in his head on a canvas in beautiful naive forms and playful colours. His work is informed by a childhood spent working on farms and hunting with his father and brother for food.
His work is a reflection of his love of the Kalahari Desert and captures the essence of the rock art created centuries ago by his ancestors in Twyfelfontein. The oldest engravings are thought to be as old as 10,000 years.
Xgaoc’o X’are’s (Qhaqhoo) work displays a strong sense of pattern, skewed perspectives and uneven shapes with rich detail. His work is reminiscent of Naive Art, which breaks the rules of the traditional 3 rules of perspective. These rules affect size, colour and the level of detail with distance.
Having had no formal art training Xgaoc’o X’are (Qhaqhoo) draws on his personal experiences and ancestral history to capture a beautiful instinctive approach to materials, colour and composition.
The Naro language uses clicking noises in its phonetic alphabet. To pronounce the Naro name ‘Qhaqhoo’ we recommend looking at a phonetic table for creating the click noise ‘Qh’. Please do let us know if you have any more information relating to the pronunciation.
Questions to Ask Children
Describe what you see.
How does it make you feel?
Which words would you use to describe the whole piece?
How has the artists experience influenced this artwork?
What comparisons can you make between the artists work and the rock engravings?
Make a list of all the animals you often see in your environment.
