A collection of imagery and sources designed to explore Olympic and Paralympic Medals.
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However, external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*
This resource is free to access and is not a part of AccessArt membership.
Olympic and Paralympic Medal Design
“The gold, silver and bronze medals awarded to competitors at the Olympics and Paralympics represent the highest levels of athletic achievement at the Games. The design of the medals is the responsibility of the host city’s organizing committee, and varies with each edition of the Games.” – Olympics.com
Explore the videos and resources below to focus a discussion about medal design.
See medals and other artefacts from past Paralympic games in 3D here.
Paris 2024
“On each medal, original iron from the Eiffel Tower was cut into a hexagon, the geometric shape that evokes France to the point of becoming its nickname. Placed in the centre and embossed with the emblem of the Paris 2024 Games, this piece of heritage fits elegantly among the gold, silver and bronze to give the medals a two-tone effect. ” Find out more at Olympics.com.
Questions to Ask Children
What can you see?
What does the medal represent?
Do you like the medal design? Why?
Is there a significant object in your life you might incorporate into a medal? Why?
Rio 2016 Paralympic Medals
The medals for the Paralympic games in 2016 had a distinct rattling noise so that visually impaired athletes could distinguish between the gold, silver and bronze medals.
Questions to Ask Children
How else might you make a medal accessible for those with visual impairments?
Vancouver 2010
Choose clips from this video to show as not all of it may be accessible for younger pupils.
Questions to Ask Children
Does this medal challenge your existing ideas of what a medal looks like? Why?
What can you identify on the medal?
Olympic and Paralympic Medals
Find images and information about past Olympic and Paralympic medals here.
Questions to Ask Children
Which is your favourite medal and why?
Can you find out how the images on the medals are designed to represent the country? eg. geographical landscape, historic moment etc
Drawing from Life with Lance Richardson: 3 Sketchbook Exercises
The Sketchbook Journey
Video enabled resources: Sketchbooks
Artist Residencies in Schools
Talking Points: Samantha Bryan
A collection of sources and imagery to explore the work of Samantha Bryan.
This resource is free to access and is not a part of AccessArt membership.
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
Samantha Bryan
“Working from her garden studio in Mirfield, West Yorkshire, Samantha Bryan has produced a new body of work for her exhibition at YSP celebrating 20 years of making. Known for creating distinctive figures, she has gained a worldwide cult following.
For two decades Bryan has been making humorous yet industrious fairy-like creatures; adorned with items from her eclectic hoard of buttons, spotted feathers, seed pods, dyed leathers, and contraptions influenced by Victorian flying machines. She combines these materials and found objects to inform their intriguing personalities.” – Yorkshire Sculpture Park
Introducing the BAAV Blimp
Brain’s Ariel Application Vehicle is a new cutting edge tool welcomed by the Fairy Dust Industry. This aircraft can do in minutes what it would take ground-based workers days to complete. Its increased capacity makes dust spreading incredibly efficient. It’s hopper can hold 120 pounds of dust and can sprinkle around 80 acres per hour. Revolutionary for fairy life.
51 x 41 x 21cm (w,h,d) 2022 Image: Red Photograpgy
Introducing… Brain’s Bottom Warming Garments for fairies. Vital for high altitude flying. 36 x 12cm x 10cm (h,w,d) 2022 Image: Joanne Crawford
Fairies often find themselves flying at high altitude. A dangerous pursuit with its many risks. The most obvious and most disastrous outcome would be ‘wing or limb freeze’. The consequence of which is high speed plummeting fairies. This is easily preventable if body temperature is maintained.
Brain’s Crash Helmet, designed specifically for accident prone fairies…
36 x 12cm x 10cm (h,w,d) 2015 Image: Jess Petrie
The clumsier variety of fairy would always be advised to wear a crash helmet rather than a standard issue helmet. The Crash Helmet offer greater head coverage and substantial inner padding for increased protection.
The fairy is wearing a tan leather flight suit, hand stitched with patch detail. It stands securely on a wooden base that can be easily mounted on the wall should you wish to do so. It features a typed label and is signed on the reverse
Brain’s Dust Distribution Vehicle (Glider)
35 x 31 x 35cm (w,h,d) 2014 Image: Edward Chadwick
Designed to enable a busy fairy to spread dust easily and efficiently
Questions to Ask Children
What objects can you see in Samantha’s fairies and inventions?
What do you like about the fairies and why?
Which fairy is your favourite and why?
How has Samantha created personalities for the fairies? Consider accessories, outfits and props.
Do you think the personality grows as she creates the fairies or she plans it in advance? Why?
If you were going to design a fairy based on you, what personality traits might it have? And how could you highlight those traits through accessories, outfits and props?
Our Creative Community: Curating an Exhibition Part One
Our Creative Community: Curating an Exhibition Part Two
Our Creative Community: Tips for Organising an Exhibition Setting
Our Creative Community: The Island: A Thinking Skills Workshop
Our Creative Community: Finding Artists In Your Community
Our Creative Community: Top Tips for Facilitating an Island Thinking Workshop
Our Creative Community: Yorkshire Sculpture Park Visit
Talking Points: Alexander Calder
A range of sources designed to help you explore the work of sculptor, Alexander Calder.
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
This resource is free to access and is not a part of AccessArt membership.
Alexander Calder
Alexander Calder (July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static “stabiles”, and his monumental public sculptures. Calder preferred not to analyse his work, saying, “Theories may be all very well for the artist himself, but they shouldn’t be broadcast to other people.” – Wikipedia
Watch the video below to introduce children to the idea of “mobiles”. Stop the video frequently and use discussion to help children understand the ideas in the video. In particular draw the children’s’ attention to:
The idea of slowing down
The relationship of the elements to natural objects
The relationship of a moving sculpture to dance and music.
Throughout the process, have sketchbooks open on desks with plenty of drawing materials, and pause during the conversations so that pupils can make visual notes.
Watch the video below to introduce children to the idea of “mobiles”. Stop the video frequently and use discussion to help children understand the ideas in the video. In particular draw the children’s’ attention to the idea of “trial and error” (or as we call is Design through Making) as a way of constructing the mobiles.
Throughout the process, have sketchbooks open on desks with plenty of drawing materials, and pause during the conversations so that pupils can make visual notes.
Sketchbook Development Work
Turn the sound down on the video below, and choose certain frames to stop the video so that pupils can make drawings in their sketchbooks based upon the compositions they see.
At first, you as teacher can choose the freeze frame, but then let the pupils make their own choices.
Encourage them to think of the paper of their sketchbook as the “stage” and invite them to draw the shapes, lines and colours they see, thinking carefully about the white space of the page as well as the shapes they draw.
Invite them to use a variety of different materials to capture the shapes. In particular you might want to invite them to use soft B pencils or graphite sticks in one drawing for example, handwriting pen in another, charcoal or collage in another….
Encourage them to work with momentum – for example tell them the film will be frozen for 1 minute/5 minutes etc. Set a clock and invite them to draw, before moving on.
Spend time looking at the drawings they create and invite them to share their thoughts:
What did they think when they were drawing Calder’s mobiles? How did they make them feel?
What do they think when they see the shapes they have drawn? What do they remind them off?
Talking Points: Artists as Collectors and Explorers
Explore Contemporary Artists, Designers and Makers
Returning to Our Bodies – Poised Between The Slip and The Grub
Talking Points: Dancing to Art
A collection of imagery and sources designed to introduce children to using their whole bodies to respond to paintings.
Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control.
Please let us know if you find a 404 link, or if you feel content is no longer appropriate.
We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.
*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*
This resource is free to access and is not a part of AccessArt membership.
Dancing to Art by Tate Gallery
“Corali, a leader in dance created by artists with a learning disability, have worked with Tate since 1998 and are experts in creatively taking up space in our galleries. We invited Paul, Sherri, Bethan and Dj from Corali to design performances in response to four artworks at Tate Britain. We wanted to show what happens when people have the freedom to enjoy the gallery however they want, and how this can open up new ways of responding to art.” – Tate Youtube
Watch the video with the pupils, and look at the images below. Find out how you can respond to art through dance.
Improvisation 35 (1914) painting by Wassily Kandinsky
Claude Monet’s Impression, Sunrise (1872) famous painting. Original from Wikimedia Commons.
Questions to Ask Children
What movement might you use to describe a windy day?
What movement would you use in response to the colour red? Blue? Green? Black?
Use your whole body to make a movement that represents an atmosphere or an emotion, such as gloomy, peaceful, excited…
How would you use your body to respond to a spikey / straight / curved line?
