Landscape Painting: Expressive Mark Making

By Hester Berry

Lots of practice and honing of technical skills, use of tone and colour, observation and time spent in the landscape, will all add to your fluency in creating a convincing view of a landscape. But your decisions with how you make marks will give you an opportunity to push your work to the next level. The marks made can add something personal, and hint at less visual components such as weather and movement, and abstract ideas such as mood.

Landscape Painting: Hester Berry, Instow, oil on board, applied with a palette-knife, brush, cloth, removed with cloth, scratched with a palette-knife.
‘Instow’ by Hester Berry, oil on board, applied with a palette-knife, brush, cloth, removed with cloth, scratched with a palette-knife.

Please log in here to access full content.

Username
Password


Remember me
Forgot Password

 

To access all content, I would like to join as…

An Individual

Creative practitioners, educators, teachers, parents, learners…


An Organisation…

Schools, Colleges, Arts Organisations: Single and Multi-Users



AccessArt is a UK Charity and we believe everyone has the right to be creative. AccessArt provides inspiration to help us all reach our creative potential.




Inky Objects with Melissa Pierce Murray


Landscape Painting: Plein Air Painting


Making Elastic Band Sketchbooks with Pupils at Philip Southcote School


Teenagers Paint a Canvas with Scolaquip


Landscape Painting: Colour in the Landscape


Using Mobile Phones to Make Animated Films


Make a Stitched Drawing of a House in an Hour


Mural and Workshop Project at Chesterton Community College in Collaboration with Jon Bates from Blight Society


Making Paper Masks for Carnival and Mardi Gras


Landscape Painting: Tone in the Landscape


Arts and Minds: Building to the Limit


Arts and Minds: Constructing the World with Collage


Arts and Minds: Expressive Monoprinting on a Big Scale


Arts and Minds: Drawing for Mindfulness


Arts and Minds: Asemic Writing and Invented Text


Making Giant Withie Lanterns


50 Minutes Looking and Sketching Autumn Leaves

Monoprinting with Oil Pastel and Carbon Copy Paper

Paula Briggs introduces children in her drawing class , aged 6 - 9 to drawing fossils and carbon paper as a medium for monoprinting. Paula Briggs introduces children in her drawing class , aged 6 – 9 to drawing fossils and carbon paper as a medium for monoprinting.


Teenagers Write A Letter, A Postcard, A Poem or A Narrative in Invented Text


Ten Top Tips to Take Superb Pictures on Your Camera Phone by Ruth Purdy