Adapting AccessArt: From 2D to 3D

By Yu-Ching Chiu

In this resource, artist and artist educator Yu-Ching Chiu shares her adaptation of the Manipulating Paper: Turning 2D into 3D resource. This session aims to give pupils the opportunity to gain experience in executing 3D design on paper using the Design through Making approach. Yu-Ching works across pre-university Foundation level, however, her adaptations could be translated across a variety of ages.

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Drawings of Paper Sculptures by Yu-Ching Chiu


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AccessArt Olympics: Sculptural Sneakers

<<Explore Other Olympic Themes

Explore the project below to help pupils consider how they might design trainers based on either Olympic Athletics.

Trainer Design

Aim: To introduce pupils to shoe design with a focus on athletics and trainers. Pupils will get the opportunity to explore innovation and design through drawing and making.

Step 1: Introduce in Sketchbooks

Begin by introducing pupils to trainer design with the “Talking Points: Trainer Design” resource. Show them a series of videos which aim to prompt discussion around innovation, design and environmental implications of shoe design. Invite pupils to create “Visual Notes” in their sketchbooks inspired by what they see.

https://www.youtube.com/watch?v=i59mVcTuUpI

Step 2: Drawing and Sketchbooks

Place a trainer on each table. Invite pupils to create their own “Folded Sketchbook” and set them drawing challenges by adpating the “Using a Folded Sketchbook to Get Drawing” using the shoe as the subject matter. For each different drawing exercise swap the shoes around.

Next, invite pupils to make annotations and adjustments to their drawings based on any invented shoe technology they would like to add to their trainers.

Shoes

Step 3: Making

Use air-dry clay to create trainers using the “Shoe La-La” resource. Bring in trainers as inspiration for the clay shoes. Use some of the techniques from the last step to build up the shoes.

IMG_1290

Or..

You may like to try creating “Sculptural Modroc Shoes” instead. Ask children to bring in old trainers, or pick up some from charity shops to use at the base for new trainer designs. Make additional features by creating small armatures and incorporating them into the shoe design.

sc1

Step 4: Reflect

Use the resource here to help you run a class “crit” to finish the project. 

Invite children to display the work in a clear space on tables or on the wall. Recap with them about the exploration – where they started, what they discovered and what they enjoyed.

If you have class cameras or tablets, invite the children to document their work, working in pairs or teams.

IMG_1281
AA Olympic Resources
ages 5-8
ages 9-11
ages 11-14

Materials:

Trainers as subject matter

Sketchbooks

A2 Paper

Drawing materials

For Shoe La-La:

Air-drying clay

Rolling pins

Burlap/hessian mat

Wooden battens

Tools for clay

Clay Slip (mix a lump of clay with water to create a creamy consistency and store in a jar with a sealed lid)

Acrylic Paint

PV Glue

For Sculptural Modroc Shoes:

Modroc

An old trainer

Acrylic Paint

Extra materials such as lollysticks or newspaper to make armatures

PVA glue


Adaptations:

You could look into shoe design for sports that don’t require trainers, for example dancing shoes or winter sports shoes.


Explore Other Resources in Athletics:

Making Medals

Making Medals

Sporting Sculptures

Sporting Sculptures

Sportwear Design

Sportwear Design

Explore other olympic themes

history

Portia's Lyre - Ancient Greeks - Sc

Values

Finished poster

ceremony

Final model using wood, foam, plastic and glue - susie olczak


Talking Points: Trainer Design

A collection of imagery and sources designed to explore trainer design.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However, external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate.

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks.

*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*

This resource is free to access and is not a part of AccessArt membership.

ages 5-8
ages 9-11
ages 11-14
free to access

Trainer Design

Explore the resources below to start discussions based on design, innovation and the environmental implications of trainer design.

Golden Trainers

Questions to Ask Children

What are the features of these track shoes?

Do you like the gold shoes? Why?

What colour would you like your trainers to be if you were an Olympian?

Tinker Hatfield: Footwear Design

Find highlights of the documentary by exploring the suggested clips below:

Innovation: Predicting Needs for the Future

  • Minute 7:41 – 11:23

  • Minute 16:00 – 18:45

  • Minute 24:36 – 26:20

  • Minute 36:36 – 38:00

Working with Athletes

  • Minute 19:33 – 24:36

  • Minute 27:33 – 29:04

Questions to Ask Children

Which shoe did you like the best? Why?

How can trainer design help with sports performance?

If you could invent some shoes right now, what would they do? Who would they be for?

Sustainability

Find out how manufacturing trainers impacts our environment.

See how design innovation can provide solutions to ease the environmental impact of shoes.

Questions to Ask Children

In pairs, invent some sustainable alternatives that you could use to replace the toxic chemicals used in the production of trainers, e.g. fabrics made from grass – get creative with your inventions!

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Visual Notes

Find out how pupils can respond to artists work in sketchbooks

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Show me what you see

Enable close looking and drawing with this exercise

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AccessArt Olympics: Sporting Sculptures

<<Explore Other Olympic Themes

Explore the project below to help pupils create a sculptural figure inspired by Olympic Athletics.

Sporting Sculptures

Aim: To introduce pupils to the work of sculptors and painters inspired by human form with a focus on athleticism. Pupils will get the opportunity to create figurative drawings and develop their work through to sculpture.

Step 1: Introduce

Begin by introducing pupils to the sculptures made by Rosa Serra, commissioned for the Seoul 1988 Olympics, with “Talking points: Rosa Serra“.

Invite pupils to create “Visual Notes” in their sketchbooks inspired by the information they see.

Rossa Serra

Use “Drawing Source Material: Athletes in Action” material for pupils exploring the human form during sports. In the first instance you might want to pause the videos as suitable points to enable the children to carefully look at the main forms and details.

Encourage close and slow looking by talking as they draw – use your voice to attract their attention to features of the athletes.

Invite pupils to draw what they can see in their sketchbooks. See “Show Me What You See” to find out how to run the guided session.

https://vimeo.com/289070073

Step 2: Drawing and Sketchbooks

Start the session by introducing choreographer and painter Serge Lifar to pupils using “Talking Points: Serge Lifar“. Use the questions to prompt discussions about how he captures moving forms through line and colour.

Follow on by using the “Exaggerating To Communicate” resource to help children draw from life, and explore how we might use exaggeration as a tool to help us convey the intention of our drawing. Invite children to get into a position relating to a sport they like or they saw in the Drawing Source Material above. You might like to introduce props.

detail3

Step 3: Making

Follow on by adapting the “Plinth People” resource, inspired by the work done so far.

Invite pupils to think about a movement they would like to capture in their sculptures and whether this is reflected in a particular sport.

Encourage pupils to think about how they can bring exaggerated form, colour and shape to their sculptures.

Binding the figures with strips of cloth

Step 4: Reflect

Use the resource here to help you run a class “crit” to finish the project. 

Invite children to display the work in a clear space on tables or on the wall. Recap with them about the exploration – where they started, what they discovered and what they enjoyed.

If you have class cameras or tablets, invite the children to document their work, working in pairs or teams.

Swimming front crawl
AA Olympic Resources
ages 9-11
ages 11-14

Materials:

Sketchbooks

A3 Cartridge Paper

Drawing materials

Watercolour

Soft wire

Wire cutters

Plaster for the plinth

Cardboard

Scrap fabric strips

PVA glue


Adaptations:

If you are working with younger children and would prefer to use modroc instead of clay you can adapt the “Friendship Tower” resource.


Explore Other Resources in Athletics:

Making Medals

Making Medals

Sculptural Sneakers

Sculptural Sneakers

Sportswear Design

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AccessArt Olympics: Making Medals

<<Explore Other Olympic Themes

Explore the project below to help pupils consider how they might design an Olympic and Paralympic Medal based on either Athletics, History or Olympic Values.

Medal Design

Aim: To introduce pupils to the Olympic and Paralympic Medals. Pupils will get the opportunity to design and make their own medals through drawing and sculpture.

Step 1: Introduce in Sketchbooks

Consider asking pupils to make an Olympic project sketchbook using one of the “Making Sketchbooks” resources.

Begin by introducing pupils to medals designed for the Olympics and Paralympics with”Talking Points: Olympic and Paralympic Medals“. Invite pupils to create “Visual Notes” in their sketchbooks inspired by the information they see.

Medals https://olympics.com/en/olympic-games/olympic-medals

Step 2: Drawing and Sketchbooks

Use the medals from the previous session as inspiration for “Making Money! Drawing and Making“. Adapt the resource slightly, inviting pupils to design a medal for their own Olympics/Paralympics. You may like to focus the design process by making links to your local area or individual values/personalities.

Making Money

Step 3: Making

Make connections between 2D and 3D by transforming the drawn medal designs in clay.

Adapt the “Clay Portrait Miniatures” resource to accommodate the focus of the project. Pupils might like to create medals to celebrate their favourite sport or hobby.

Clay ‘Portrait’ Miniatures by Sharon Gale

Step 4: Reflect

Use the resource here to help you run a class “crit” to finish the project. 

Invite children to display the work in a clear space on tables or on the wall. Recap with them about the exploration – where they started, what they discovered and what they enjoyed.

If you have class cameras or tablets, invite the children to document their work, working in pairs or teams.

Clay ‘Portrait’ Miniatures by Sharon Gale
AA Olympic Resources
ages 5-8
ages 9-11

Materials:

Sketchbooks

A3/A2 Paper

Drawing materials

Foam board

Card template

Air-drying clay

Rolling pins

Burlap/hessian mat

Wooden battens

Tools for clay

Clay Slip (see preparation in advance)

Soft wire to make a hanging loop

Wire cutters

Small pliers


Adaptations:

You may like to include a historical context, for example Ancient Greece. Use the “Clay Art Medals” resource and create profiles on the medals inspired by Ancient Greek coins.

If you would like to explore the Values of the Olympics you might like to look at War Medals to see how medals can be designed to represent a specific Value.


Explore Other Resources in Values:

Mascot Design

Mascot Design

Friendship Towers

Friendship Towers

An Olympic Poster

An Olympic Poster

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history

Portia's Lyre - Ancient Greeks - Sc

Athletics

Finished "Runner"

ceremony

Final model using wood, foam, plastic and glue - susie olczak


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Talking Points: What Is A Plinth?

A collection of imagery and sources designed to encourage children to consider what role a plinth may play in creating or displaying artwork. 

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*

 

This resource is free to access and is not a part of AccessArt membership.

 

ages 9-11
ages 11-14
free to access

What Is A Plinth?

Silver-gilt mouthpiece late 6th–5th century B.C

“Limestone plinth with the feet of a male statuette” Licensed under CC0 1.0

In the traditional sculptural sense, plinths are usually heavy boxes or bases made from stone, wood or metal, which raise a sculpture above the ground.

Plinths sometimes protect the sculpture from the elements, such as a sculpture raised out of the way of puddles of rain in the street. 

More often, the role of a plinth is to give the sculpture some kind of status. By raising the sculpture to a certain level, the sculptor can decide how the viewer interacts with the artwork. 

Plinths also help create a separation between the ordinary everyday world around us and the art “object”. 

Seeing an object on a plinth might encourage us to view that object as an artwork – as something special. 

Questions to Ask Children

Have you seen any sculpture on a plinth in and around the place where you live?

Why do you think those sculptures are on plinths? How does the way the sculpture is displayed affect how you think about the sculpture?

Imagine two peas. One is on the kitchen floor, but an identical pea is on a plinth in a gallery. How does it change how you think about the pea? 

The Fourth Plinth

Photo of Fourth Plinth, Trafalgar Square, London by Andy Hay

Photo of “Nelson’s Ship in a Bottle,” by Yinka Shonibare, Fourth Plinth, Trafalgar Square, London by Andy Hay

What is The Fourth Plinth?

The Fourth Plinth is considered to be one of the world’s largest ongoing public art commissions. Its main aim is to bring contemporary art to the public and to encourage debate about what art is.

The Fourth Plinth

The “fourth plinth” was originally intended to hold a sculpture of a horse belonging to William IV, but the sculpture was never displayed due to lack of money. For over 150 years the plinth remained empty, until in 1998, the Royal Society for the Encouragement of Arts, Manufactures and Commerce (RSA) commissioned three contemporary sculptures to be displayed temporarily on the plinth. The legacy of those three sculptures was a rolling programme called the Fourth Plinth.

Take a look at the Fourth Plinth website to explore some recent commissions and explore the work of one Fourth Plinth artist, Antony Gormley below. 

Antony Gormley, The Fourth Plinth

"One and Other" by Anthony Gormley, Image by Feggy Art

“One and Other” by Antony Gormley, Image by Feggy Art

Whilst Antony Gormley usually makes sculpture out of more traditional materials like steel, he was commissioned as part of the Fourth Plinth to produce a rather different kind of art. 

Instead of working in traditional materials, Gormley used the plinth as a focus for creating an artwork which “became a portrait of the UK, now”. For 100 days in 2009, 24 hours a day, Gormley and the team coordinated members of the public to take stage on the plinth for an hour at a time. They could do whatever they liked, using the plinth to give their expression a literal and metaphorical platform. 

Through “One & Other”, Gormley hoped that by giving the public free will to express their hopes and fears for what might be,  a “portrait of the nation” would be revealed.

Questions to Ask Children

How would you use your time if you were given an hour on the plinth?

The Fourth Plinth Challenge

Can you find a “plinth” at school and coordinate a similar project?

How would children and teachers “apply” for a slot on your plinth?

Who would decide who gets a slot and what would your criteria be?

How long would each slot last?

How would you encourage an audience?  

How would you document the event?

This Talking Points Is Used In…

Pathway: The Art of Display

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Enable close looking and drawing with this exercise

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Talking Points: Introduction to Sculpture

A collection of imagery and sources designed to introduce children to different types of sculpture.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*

This resource is free to access and is not a part of AccessArt membership.

ages 5-8
ages 9-11
free to access

What is Sculpture?

Interactive Cloud Sculpture by Caitlind r.c. Brown & Wayne Garrett

“Interactive Cloud Sculpture” made of 6000 lightbulbs by Canadian artists Caitlind r.c. Brown & Wayne Garrett

This sculpture is made of 6000 lightbulbs which can be switched on and off by the audience. Find out more about Interactive Cloud Sculpture here. 

Questions to Ask Children

Describe what you see. Think about the gallery space as well as the sculpture itself.

How would it feel to be in that space, interacting with the sculpture?

What do you think the artists are trying to say through the artwork?

Why do you think two sculptors collaborated on this piece?

How does it make you feel? What does it make you think? 

Floating Piers by Christo and Jeanne-Claude

Floating Piers by Christo and Jeanne-Claude, Italy, 2016

L'Arc De Triomphe Wrapped by Christo and Jeane-Claude

L’Arc De Triomphe Wrapped by Christo and Jeane-Claude, Paris, 1961

Christo and Jeanne-Claude are artists who have become known for wrapping large objects/buildings/environments. 

Christo started out wrapping objects like chairs and books, interested in how the wrapping changed the meaning. More recently the large projects, which can take years of planning, are often made just for the purpose of enabling us to look at the world in new ways. 

Christo says: “We make beautiful things, unbelievably useless, totally unnecessary.”

See more work by Christo, and Christo and Jeanne-Claude here. 

Questions to Ask Children

What have the artists done here?

How many people do you think were involved in making this artwork? What jobs did they have to do?

How long do you think this artwork will last? Do you think the artists minded making an artwork which won’t last forever?

How do you think the visitors feel? How would you feel if you were there? What would the yellow bouncy path make you want to do?

How do you think the people felt when they returned to the “normal” landscape around them? Would they have been changed by the artwork?

How do you think it looks from above?

What do you think the artists were trying to say through the artwork?

 

Dev Harlan 

“Parmenides I”, Dev Harlan, 2011

Parmenides I is a light sculpture exhibited at Christopher Henry Gallery, New York. 

www.devharlan.com/

Questions to Ask Children

What can you see in the video above?

Can you imagine how the artwork is made?

How does it make you feel?

How long do you have to look at the sculpture before it has an affect on you? If you saw a still image of the sculpture would you feel the same way? 

Food Sculptures by Nicole Dyer

Cupcake Sculpture by Nicole Dyer

Food Sculptures by Nicole Dyer

Nicole Dyer makes sculptures inspired by food. See more of their work here “Talking Points:Nicole Dyer“.

Questions to Ask Children

Describe what you see.

How do the sculptures make you feel? 

How do you think the artist made the sculptures?

Faith Bebbington

Recycled Plastic Bengal Tiger for Veolia Environment by Faith Bebbington

Sculptures by Faith Bebbington

Faith Bebbington is best known for her sustainable practise; her large sculptures utilise lots of waste materials, with her biggest sculpture to date re-using over 2500 deconstructed plastic milk bottles! 

See sculptures by Faith Bebbington and read more about her approach here. 

Questions to Ask Children

Describe what you see.

How do the sculptures make you feel? 

What do you think the artist is trying to say through her work?

What other recycled or waste materials could we use to make sculpture? 

This Talking Points Is Used In…

Pathway: Playful Making

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