Animating with Charcoal

By Paula Briggs

Inspired by the charcoal animations of William Kentridge, teenagers at the AccessArt Art Lab for ages 11, 12 & 13 worked in their Pink Pig Sketchbooks to create charcoal animations.
Making charcoal animations

William Kentridge (born 28 April 1955) is a South African artist best known for his prints, drawings, and animated films. These are constructed by filming a drawing, making erasures and changes, and filming it again. He continues this process meticulously, giving each change to the drawing a quarter of a second to two seconds’ screen time. A single drawing will be altered and filmed this way until the end of a scene. These palimpsest-like drawings are later displayed along with the films as finished pieces of art.

This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License.


In the studio, I asked the students to open their sketchbooks on a double page, and to begin by writing / drawing their name in charcoal across the page. I then challenged them to layer drawing after drawing on the same page, each drawing made in response to the previous one. Charcoal is a very fluid medium, and in addition to the charcoal sticks themselves, students used their fingers, hands and putty rubbers to help move the charcoal around the page. Sometimes the children added new lines to a drawing, sometimes they took lines away.

animating with charcoal
moving the charcoal about the page
charcoal tree
charcoal tree loosing it's leaves
charcoal tree in stages of animation
exploring charcoal untuitively
pushing the charcoal

When working with charcoal it’s very easy to end up with a grey, uniform image. This warm-up exercise might be useful to help students appreciate the full range of marks they can expect to get from a charcoal stick.

Over the hour long session each student produced 10 to 20 drawings over their double page, and I photographed each image as we went along, as instructed by each student.

The images were then edited and dropped into a movie to make an animation of all the students’ work.


This is a sample of resource created by UK Charity AccessArt. We have over 1100 resources to help develop and inspire your creative thinking, practice and teaching.

AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.


Drawing with Objects by Melissa Pierce Murray


Visual Arts Planning: Exploring Line

Continuous Line Drawings (Squiggle Drawings) of Sticks

A great warm-up exercise for all ages - whatever their level of experience, continuous line drawings are a very useful way to get children (and adults) to tune into their subject matter and quieten ready for drawing. A great warm-up exercise for all ages – whatever their level of experience, continuous line drawings are a very useful way to get children (and adults) to tune into their subject matter and quieten ready for drawing.

Drawing hands

Another warm-up exercise that can be done anywhere! Drawing your own or someone else's hand in continuous line can be a very useful way to explore concave shapes for scuptural/making projects such as nests and bowls. Another warm-up exercise that can be done anywhere! Drawing your own or someone else’s hand in continuous line can be a very useful way to explore concave shapes for scuptural/making projects such as nests and bowls.

Warm-Up Drawing Exercise: Drawing Spirals

A great warm-up/ice breaker to use at the start of a drawing workshop for both adults and children. As well as getting participants to start making marks on the paper without worry or mental blocks, this simple exercise aims to introduce participants to the idea that drawing and mark making comes from the finger tip, wrist, elbow, shoulder and whole body. A great warm-up/ice breaker to use at the start of a drawing workshop for both adults and children. As well as getting participants to start making marks on the paper without worry or mental blocks, this simple exercise aims to introduce participants to the idea that drawing and mark making comes from the finger tip, wrist, elbow, shoulder and whole body.

Quick Drawing Exercise: Helping Children to Draw Larger!

A quick 5minute drawing exercise to encourage children to work large and make their drawing fill the page. A quick 5minute drawing exercise to encourage children to work large and make their drawing fill the page.

Right Hand, Left Hand – Non Dominant Hand Drawing Exercise

Practising drawing with your ‘none dominant’ hand, (right hand if you are left handed, left hand if you are right handed), can be a useful strategy for loosening up and for experimenting with the potential of mark making without worrying about the outcome. Another excellent ice-breaker for accessing drawing processes across all mediums. Practising drawing with your ‘none dominant’ hand, (right hand if you are left handed, left hand if you are right handed), can be a useful strategy for loosening up and for experimenting with the potential of mark making without worrying about the outcome. Another excellent ice-breaker for accessing drawing processes across all mediums.

Making a Shy Drawing – Drawing Exercises for Beginners

This resource shares unusual yet accessible drawing exercises for beginners. How can we change the nature of the drawings we make - how would we make a “shy” drawing? These exercises and suggestions provide a focus which enables pupils and teachers to explore different aspects of making a drawing, including sound, action and intention. This resource shares unusual yet accessible drawing exercises for beginners. How can we change the nature of the drawings we make – how would we make a “shy” drawing? These exercises and suggestions provide a focus which enables pupils and teachers to explore different aspects of making a drawing, including sound, action and intention.

Drawing Minibeasts – using a continuous line, graphite and oil pastel

Using images of insects as inspiration, children make 4minute continuous line drawings in pen as a warm-up exercise to encourage close looking and to get their fingers moving. Using images of insects as inspiration, children make 4minute continuous line drawings in pen as a warm-up exercise to encourage close looking and to get their fingers moving.

One Line Street Scene: A Visualisation Warm Up Drawing exercise

Another fun variation on the continuous line warm-up exercise: children made a drawing consisting of a single line, which started at the left hand side of the page, and finished at the right hand side. The subject matter was a street scene, which they visualised by listening to details of the buildings/objects that they would meet. The results were beautiful and the children enjoyed their journey! Another fun variation on the continuous line warm-up exercise: children made a drawing consisting of a single line, which started at the left hand side of the page, and finished at the right hand side. The subject matter was a street scene, which they visualised by listening to details of the buildings/objects that they would meet. The results were beautiful and the children enjoyed their journey!

Simple Perspective Art Lesson for Young Children

Following on from the above exercise, this resource introduces children (aged 6 to 10) to the basics of perspective in relation to drawing architecture. They learn some simple rules of perspective drawing, before being given plenty of opportunity to develop their drawings on their own. Following on from the above exercise, this resource introduces children (aged 6 to 10) to the basics of perspective in relation to drawing architecture. They learn some simple rules of perspective drawing, before being given plenty of opportunity to develop their drawings on their own.

Making a Blind Contour Drawing

This is a classic drawing exercise to use with all ages This is a classic drawing exercise to use with all ages & all abilities and helps you focus upon careful looking, without the worry of what your drawing looks like. In this resource we describe the process and suggest some suitable subject matter and drawing materials.

Minimalising: Using Simple Line Drawings to Explore Sculptural Form

Teenagers explore form using a reductive or minimalising approach to drawing. They were encouraged to create a series of drawings in quick succession, using a limited number of lines to record their objects. For each subsequent drawing, they dropped a line, starting with a seven line drawing and working down to a drawing in one line. This exercise was to get students thinking about essential, sculptural elements in their constructions and drawings. Teenagers explore form using a reductive or minimalising approach to drawing. They were encouraged to create a series of drawings in quick succession, using a limited number of lines to record their objects. For each subsequent drawing, they dropped a line, starting with a seven line drawing and working down to a drawing in one line. This exercise was to get students thinking about essential, sculptural elements in their constructions and drawings.

Exercise to Introduce Foreshortening and Volume in Line Drawings

This workshop introduces children aged 10 to 13 to foreshortening but can be adapted for groups or individuals and is appropriate for all age groups. The activity enables students to find a way to facilitate the development of volume in their line drawings. They work ‘small and quick’ to encourage ‘doing without thinking’ (and worrying!). This workshop introduces children aged 10 to 13 to foreshortening but can be adapted for groups or individuals and is appropriate for all age groups. The activity enables students to find a way to facilitate the development of volume in their line drawings. They work ‘small and quick’ to encourage ‘doing without thinking’ (and worrying!).

Tackling Still Life for Children Part 1 – Continuous Line Drawing

In the first of a three part workshop on painting a still life, children gain familiarity with the objects by making continuous line drawings. As well as tuning into the subject matter, the drawing exercises also encourage the children to consider the shape and dimensions of the canvases right from the start. In the first of a three part workshop on painting a still life, children gain familiarity with the objects by making continuous line drawings. As well as tuning into the subject matter, the drawing exercises also encourage the children to consider the shape and dimensions of the canvases right from the start.

Drawing Skulls in Black Pen

This workshop on drawing skulls was about looking and the re-examination of marks and lines. Students used black pen to create continuous line drawings on A1 paper. This workshop on drawing skulls was about looking and the re-examination of marks and lines. Students used black pen to create continuous line drawings on A1 paper.

Still Life Drawing in a Cubist Style Using Carbon Paper

A fun workshop and a great way to study still life and explore Cubist ideas of ‘temporal frames’ and drawing ‘time and space’. Different views of the same glass objects are captured through drawings made with carbon paper, to produce a composite drawing of a still life. A fun workshop and a great way to study still life and explore Cubist ideas of ‘temporal frames’ and drawing ‘time and space’. Different views of the same glass objects are captured through drawings made with carbon paper, to produce a composite drawing of a still life.

Inspired by Google Earth: Drawing

A session suitable for all ages, continuous line drawings are used to gather information taking inspiration was taken from Google earth images. A variety of media were then explored to extend and develop the drawings, A session suitable for all ages, continuous line drawings are used to gather information taking inspiration was taken from Google earth images. A variety of media were then explored to extend and develop the drawings,

Drawing and Making Flowers

A beautifully structured resource which shares how drawing can be used to enable children to familarise themselves with flower anatomy. Children are given the opportunity to develop their observations and ideas in three dimensions by making flowers with paper and wire. A beautifully structured resource which shares how drawing can be used to enable children to familarise themselves with flower anatomy. Children are given the opportunity to develop their observations and ideas in three dimensions by making flowers with paper and wire.

Quentin Blake’s Drawings as Inspiration!

Taking Quentin Blake’s drawings as a starting point for simple exercises, children make drawings from life using line and explore how they might use exaggeration as a tool to help them convey the intention of their drawing. During the session, the children are encouraged to take risks and try new ways of working. Taking Quentin Blake’s drawings as a starting point for simple exercises, children make drawings from life using line and explore how they might use exaggeration as a tool to help them convey the intention of their drawing. During the session, the children are encouraged to take risks and try new ways of working.

Inspired by Henri Matisse – Repetitive Life Drawing Exercise

This workshop encourages students to challenge pre-conceived ideas of what a drawing should be or what finished drawings should look like. By making drawings of each other they can experiment with line and expression, inspired by the working practice of Henri Matisse, who often drew an object or life pose many times in succession. This workshop encourages students to challenge pre-conceived ideas of what a drawing should be or what finished drawings should look like. By making drawings of each other they can experiment with line and expression, inspired by the working practice of Henri Matisse, who often drew an object or life pose many times in succession.

Red to Green: Patterns in Nature, Line and Wire

One of a series of workshops by Accessart at Red2Green using drawing to explore designs and patterns in nature, followed by a making session using wire to extend ideas into 3D. One of a series of workshops by Accessart at Red2Green using drawing to explore designs and patterns in nature, followed by a making session using wire to extend ideas into 3D.

Drawing Insects in Wire and Tracing Shadows in Black Pen

Students use modelling wire to ‘draw’ an insect from their first drawings in black pen. The purpose of this exercise was to help them see and draw form and to think about the quality of line achievable in black pen. It was also an exercise in simple abstraction or simplification of subject matter. Students use modelling wire to ‘draw’ an insect from their first drawings in black pen. The purpose of this exercise was to help them see and draw form and to think about the quality of line achievable in black pen. It was also an exercise in simple abstraction or simplification of subject matter.

Drawing with Wire

Teenagers in AccessArt's Experimental Drawing Class explore drawing their bodies with wire. They were asked to think about how they feel physically from within and try and find a way of expressing that with wire. The exercise was about finding a way to ‘represent’ physical sensations using form. Teenagers in AccessArt’s Experimental Drawing Class explore drawing their bodies with wire. They were asked to think about how they feel physically from within and try and find a way of expressing that with wire. The exercise was about finding a way to ‘represent’ physical sensations using form.

Drawing with Wire like Calder, and Backwards Forwards Sketching

An exciting resource based on the work of Alexander Calder. Children make drawings of their own toys, which are then interpreted in fine wire – an introduction to the tricky business of drawing in space! An exciting resource based on the work of Alexander Calder. Children make drawings of their own toys, which are then interpreted in fine wire – an introduction to the tricky business of drawing in space!

Standing Up! – Making Vertical Sculptures and Working from the Base

Teenagers are challenged to create sculpture that was able to stand up and to explore how tall the sculpture could be before it fell down. They experimented with elegant solutions to make their wire forms stand, considering also the relationship between its base and the surface it was standing on. This was also an opportunity to explore construction materials and finding the right materials for the job. Teenagers are challenged to create sculpture that was able to stand up and to explore how tall the sculpture could be before it fell down. They experimented with elegant solutions to make their wire forms stand, considering also the relationship between its base and the surface it was standing on.
This was also an opportunity to explore construction materials and finding the right materials for the job.

Reaching the Limit: Making Tall Sculptures and Stretching Materials

Following on from working with the vertical in Standing Up! – Introducing the Vertical and Working from the Base, students were pushed to further develop their understanding of sculptural relationships such as balance, the object’s relationship with the ground and how to build elegant, vertical structures. They were set the challenge of building a sculpture or structure, which was as tall or taller then themselves, working with basic (and quite flimsy) construction materials, in an hour. Following on from working with the vertical in Standing Up! – Introducing the Vertical and Working from the Base, students were pushed to further develop their understanding of sculptural relationships such as balance, the object’s relationship with the ground and how to build elegant, vertical structures. They were set the challenge of building a sculpture or structure, which was as tall or taller then themselves, working with basic (and quite flimsy) construction materials, in an hour.

Landscape Sculptures in Wire and Mixed Media: Working Through Ideas

Teenagers work from the theme of landscape exploring rhythm and movement in wire, drawing from their sculptures and making simultaneously. They were introduced to modelling wire and modroc as construction materials - paper, drawing and collaging materials were also readily available. Teenagers work from the theme of landscape exploring rhythm and movement in wire, drawing from their sculptures and making simultaneously. They were introduced to modelling wire and modroc as construction materials – paper, drawing and collaging materials were also readily available.

Withy Sculptures

Traditionally used for basket weaving and garden sculpture, withies, or willow sticks, are a versatile construction material, ideal for exploring sculptural form and ‘drawing in space’ with line. Traditionally used for basket weaving and garden sculpture, withies, or willow sticks, are a versatile construction material, ideal for exploring sculptural form and ‘drawing in space’ with line.

Drawing with Wire: The Polymeric Approach by Julie de Bastion

Artist Julie de Bastion shares a wonderful workshop that enabled participants to create a “drawing within a drawer” making delightful “Story Boxes” involving 3D drawing with flexible black wire, and drawing with mono-printing. Artist Julie de Bastion shares a wonderful workshop that enabled participants to create a “drawing within a drawer” making delightful “Story Boxes” involving 3D drawing with flexible black wire, and drawing with mono-printing.

Drawing Space/Drawing in Space

In Western art, we use the term ‘negative space’ to talk about the areas between objects on the page/canvas but this tends to convey quite a static idea of space. There is a Japanese word, ‘ma‘ (間), that suggests a more evocative and dynamic spatial experience and it was this concept that inspired this workshop, in which teenagers made three dimensional line drawings to explore the space around them. In Western art, we use the term ‘negative space’ to talk about the areas between objects on the page/canvas but this tends to convey quite a static idea of space. There is a Japanese word, ‘ma‘ (間), that suggests a more evocative and dynamic spatial experience and it was this concept that inspired this workshop, in which teenagers made three dimensional line drawings to explore the space around them.

Teachers Explore ‘Line and Shape’ at the Fitzwilliam Museum, Cambridge with AccessArt

In the spring and summer of 2016, Paula Briggs and Sheila Ceccarelli from AccessArt and Kate Noble from the Fitzwilliam Museum, Cambridge to create and deliver a series of InSET sessions (in-service-training) for primary school teachers. The aim was to fuse top Museum Education practice with practical, hands on learning in Fine Art disciplines including: drawing, printmaking, sketchbooks, collage and sculpture. In the spring and summer of 2016, Paula Briggs and Sheila Ceccarelli from AccessArt and Kate Noble from the Fitzwilliam Museum, Cambridge to create and deliver a series of InSET sessions (in-service-training) for primary school teachers.
The aim was to fuse top Museum Education practice with practical, hands on learning in Fine Art disciplines including: drawing, printmaking, sketchbooks, collage and sculpture.


Review: ScolaQuip Canvas Effect Frames


Every now and again we come across a product which we’ve not seen before but which makes perfect sense, and when we first saw these amazing foldable art canvases from Scolaquip we knew a lot of people would love them!

The market is flooded with canvases at accessible prices, which is great, and children and teenagers really enjoy using them. The problem especially for schools, is that they are bulky and take up precious storage space. So whoever thought of creating a canvas which is flat but which folds to a durable frame is a genius!

UK manufacturer Scolaquip is the only supplier of these nifty canvases. They come in two sizes: A4 and A5, and packs of 30.

AccessArt has trialled the canvases with different age groups and they have been a real hit with everyone who sees them. They have lots of great features, including:

Foldable Art Canvas

Great for drawing on

  • They are so solid. Even when unfolded, they can be used to draw or paint upon without the need for any kind of drawing board behind, even when drawing at an angle. When folded they feel substantial and strong.

Art canvas with textured surface

  • They have a lovely textured surface

Canvases which don't buckle

  • They don’t buckle even with wet paint.

Flat canvas before folding

  • Easy to store due to their flatness. Light weight.

Folding the Scola Canvas Effect Frame

  • Easy to fold – there’s even a video to help you along.

Painted on Scola canvas effect frame

Be creative with Scolaquip foldable canvases

Be creative with Scolaquip foldable canvases

  • They bring with them lots of creative potential. You can paint on them before or after you fold them. Use the “canvas” side, or reverse it and use the interior as a frame. Make 2-dimensional or 3-dimensional work.You can also of course paint the edges of the canvas.

Back of the Scola canvas effect frame

  • They have ready made holes for hanging.
  • 100% recyclable

 
scola_300


Teenagers Experiment with Glow in the Dark Paint and Rice with Artist Melissa Pierce Murray


AccessArt helps teachers at Belvue School to get ready for a Drawing Week

Back to InSET & CPD

Teachers Battle it Out in Conversation with Marks on Paper


Teachers embarked on an exercise whereby they made marks on paper to have a conversation with a partner. This was a playful and fun exercise and teachers very much enjoyed both the process and outcomes.

Teachers embarked on an exercise whereby they made marks on paper to have a conversation with a partner. This was a playful and fun exercise and teachers very much enjoyed both the process and outcomes.

Teachers Explore Pattern, Shape & Texture with Charcoal, Graphite, Masking Tape and Pastels


This was the second session in the series and an introduction to pattern, shape and texture with charcoal and graphite, and an opportunity for teachers to break down any preconceived ideas about what drawing is and who drawing processes is for.

This was the second session in the series and an introduction to pattern, shape and texture with charcoal and graphite, and an opportunity for teachers to break down any preconceived ideas about what drawing is and who drawing processes is for.

Play and Placement: Teachers Explore Approaches to Drawing


This was the third and final session in the series, and an opportunity to play with creative mark-making and explore context and placement as an introduction to larger scale drawing and concepts around installation art.

This was the third and final session in the series, and an opportunity to play with creative mark-making and explore context and placement as an introduction to larger scale drawing and concepts around installation art.

UK Charity AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.

Join AccessArt from only £3.50 per month and enjoy full access to hundreds more resources!


Teachers Battle it Out in Conversation with Marks on Paper


Landscape Painting: Tone in the Landscape


Landscape Painting: A Collection of Resources by Hester Berry

Introduction to Landscape by Hester Berry

This introduction to landscape painting is an exercise in looking and discovering, browsing and daydreaming.

This introduction to landscape painting is an exercise in looking and discovering, browsing and daydreaming.

Landscape Painting: Tone in the Landscape

In this post Hester Berry explores tone as a crucial aspect of landscape drawing and painting. 

In this post Hester Berry explores tone as a crucial aspect of landscape drawing and painting. 

Landscape Painting: Plein Air Painting

Plein Air painting is the practice of painting outside, normally in front of one’s subject.

Plein Air painting is the practice of painting outside, normally in front of one’s subject.

Landscape Painting: Colour in the Landscape

Hester Berry shows how working with colour can be broken down, simplified and approached in a pragmatic way.

Hester Berry shows how working with colour can be broken down, simplified and approached in a pragmatic way.

landscape Painting: Expressive mark Making

Practice and hone technical skills, use of tone and colour, observation and time spent in the landscape.

Practice and hone technical skills, use of tone and colour, observation and time spent in the landscape.


Arts and Minds: Drawing for Mindfulness


Arts and Minds: Feeling Through Drawing


Arts and Minds: Asemic Writing and Invented Text


Introduction to Landscape by Hester Berry


What Are Drawing Skills?


Thoughtful Drawing and Mark Making in the Armoury at the Fitzwilliam Museum, Cambridge

Related Posts and Resources

See all the blog posts from AccessArt's InSET in collaboration with the Fitzwilliam Museum. Find top Museum Education practice with practical, hands on learning in Fine Art disciplines including: drawing, printmaking, sketchbooks, collage and sculpture.

Teachers Explore ‘Line and Shape’ at the Fitzwilliam Museum, Cambridge with AccessArt

See all the blog posts from AccessArt’s InSET in collaboration with the Fitzwilliam Museum. Find top Museum Education practice with practical, hands on learning in Fine Art disciplines including: drawing, printmaking, sketchbooks, collage and sculpture.

Thoughtful Mark Making

Look at this post to see how pupils aged 6 to 10 respond to a similar mark making exercise led by Paula Briggs. Look at this post to see how pupils aged 6 to 10 respond to a similar mark making exercise led by Paula Briggs.

Drawing Projects for Children by Paula Briggs

Published by Black Dog Publishing London, Drawing Projects for Children is a beautifully illustrated collection of activities that will expand the mark making abilities and imagination of children of all ages, and help fuel their passion for drawing. The book features a collection of drawing exercises and projects taken from the AccessArt website, presenting them in a beautiful and inspirational format. Published by Black Dog Publishing London, Drawing Projects for Children is a beautifully illustrated collection of activities that will expand the mark making abilities and imagination of children of all ages, and help fuel their passion for drawing. The book features a collection of drawing exercises and projects taken from the AccessArt website, presenting them in a beautiful and inspirational format.


Filling a Sketchbook: Ruler Drawings

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