To Construct…

By Sarah Evelyn Marsh

Within the creative workshops I facilitated in Gdansk, Poland, I explored a collection of schema-inspired themes with a small group of families. In my final post on the project, I want to reflect on the theme of To Construct… looking at the different ways we constructed during the project.  

Please remember this is a personal and artistic reflection, based on the ideas I presented and the (emotional and physical) reactions and responses of the children and their families, who inspired changes and the development of the project as we experienced it. Much of what I discuss here is referenced by images in previous posts, so please go back to find images that will build upon the visual story of this blog, which you can find here: Sensory Spaces: An Autism Friendly Project.

To Construct...by Sarah Evelyn Marsh
Hand sewn objects filled with lavender

 

The construction of language through sensory experiences

The overarching fabric theme of the project emulated the sensitive, sensorial feel and approach of workshops. The soft and gentle folds and tucks of cotton, silk or velvet embody the care and safety I wanted to create within the environment.

To Construct...by Sarah Evelyn Marsh
Fold, wrap, conceal, secure, protect

The carefully selected fabrics, chosen for their textures, colours and opacity were used by the group in so many ways, they stimulated movement, security, they concealed, transformed and revealed.

 

To Construct...by Sarah Evelyn Marsh
Objects are tactile, they become extensions of the body, (tube filled with lavender).

Soft, sculptural lines, scented with lavender or filled with dry beans or soft wadding were squeezed, bitten and twisted into shapes, wrapped around heads, connected to other objects and transformed into imaginary characters.

I constructed these fabric tubes and shapes as a way to ‘draw in space’, malleable to bend into forms, they contour our surrounding space and body, creating boundaries and paths; tracing the world around us.

On reflection, I wonder how they were perceived by the children. Some of the group seemed to take emotional comfort from them, they created a sense of calm and security.

I wonder if the group saw artistic value in them?

To Construct...by Sarah Evelyn Marsh
Constructing with materials and Nature

 

To Construct...by Sarah Evelyn Marsh
Elements from my hand made ‘toolkit’

A handmade ‘toolkit’, of sensory-inspired objects enhanced the children’s engagement, supporting new ways of connecting to the world around them. Without verbal communication these objects became part of our language.

 

To Construct...by Sarah Evelyn Marsh
Handmade Hand

 

To Construct...by Sarah Evelyn Marsh
Textured language 

Observations and reflections of the emotional and physical responses to these handmade objects, alongside the verbal opinions of the parents, formed a process-driven landscape that allowed us to explore ‘construction’ in all of these ways, and more;

  •  we constructed a creative language
  • developed and built confidence
  • formed trust and relationships
  • created safe spaces
  • made connections to the world around us.

 This developed into / or perhaps grew from;

  • experimenting and engaging with new ideas
  • asking questions and seeking answers
  • trying something new
  • making choices, making decisions, making mistakes
  • risk-taking
  • feeling happy, feeling relaxed, taking ourselves out of our comfort zones
  • connecting to our surroundings, connecting to each other.

 All of these actions and learning strategies connect, each developed and informed the other. Forging a continual loop of learning, experiencing, playing, experimenting and communicating.


 

Beyond this Project…

To Construct...by Sarah Evelyn Marsh
Ewa with kaleidoscope (looking forward)

As an artist and educator, I construct new ways to work, plan, inspire and develop. This project and previous research is extending my own creative language, inspired by the families I’ve worked with and the outcomes of our ideas, interactions and responses. The tactile and textured world we have inhabited is producing new artworks that I will reveal in future Access Art blog posts.

My research will continue in such galleries as Tate Liverpool, April 2018 and new ventures that are being realised as I write this post.

These final images represent some of the different ways we expressed ourselves throughout the project; forming the creative language that we constructed as a group. The use of textiles was at the forefront of our experiences, but it kickstarted other creative outcomes such as: drawing, photography, writing and performance art.

 

To Construct...by Sarah Evelyn Marsh
Reading a script inspired by the sessions, written by Marianka, aged 7

 

To Construct...by Sarah Evelyn Marsh
Photographs taken by a participant in their constructed den

 

To Construct...by Sarah Evelyn Marsh
Drawing the group as a family of mythical animals

 

 See more posts from Sarah in this series by following this link: Sensory Spaces: An Autism-Friendly Project

evelynarts.moonfruit.com – work portfolio

evelynartsunique.com  – online shop


This is a sample of a resource created by UK Charity AccessArt. We have over 1500 resources to help develop and inspire your creative thinking, practice and teaching.

AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.

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To Connect


At the beginning of the project it was important to take time getting used to each other, the learning space and the surrounding environment. Below is a list of considerations you may find helpful to use in your own learning spaces. Be aware of the daily sounds, smells and other textures of life in your learning space; a constant humming noise or flickering light may be stressful for a child with autism. Allow time for everyone to feel their way in the space; connections may be made through the use of different senses and body parts.

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To Conceal


During the six week project, the group explored different themes and actions, some of these were displayed through learning schemas. In week 2 we experimented with different ways to conceal ourselves and objects; schemas such as enveloping and enclosure were exhibited by the group.

During the six week project, the group explored different themes and actions, some of these were displayed through learning schemas. In week 2 we experimented with different ways to conceal ourselves and objects; schemas such as enveloping and enclosure were exhibited by the group.

To Colour

Two of the sessions explored the theme of colour. The first was rather abstract, I asked questions such as; What does colour smell like? What does colour feel like?
For a child on the autistic spectrum, a question like this may be confusing, some autistic people think and understand literally. So instead of directing these questions at the children, I answered and speculated on them myself. These abstract questions became vehicles for the workshops documented below.

Two of the sessions explored the theme of colour. The first was rather abstract, I asked questions such as; What does colour smell like? What does colour feel like?
For a child on the autistic spectrum, a question like this may be confusing, some autistic people think and understand literally. So instead of directing these questions at the children, I answered and speculated on them myself. These abstract questions became vehicles for the workshops documented below.

To Construct


In my final post on the project, I want to reflect on the theme of To Construct… looking at the different ways we constructed during the project. Please remember this is a personal and artistic reflection, based on the ideas I presented and the (emotional and physical) reactions and responses of the children and their families, who inspired changes and the development of the project as we experienced it.

In my final post on the project, I want to reflect on the theme of To Construct… looking at the different ways we constructed during the project. Please remember this is a personal and artistic reflection, based on the ideas I presented and the (emotional and physical) reactions and responses of the children and their families, who inspired changes and the development of the project as we experienced it.


To Conceal….

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To Connect…

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Teachers Explore Pattern, Shape & Texture with Charcoal, Graphite, Masking Tape and Pastels


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Play and Placement: Teachers Explore Approaches to Drawing


This was the third and final session in the series, and an opportunity to play with creative mark-making and explore context and placement as an introduction to larger scale drawing and concepts around installation art.

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UK Charity AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.

Join AccessArt from only £3.50 per month and enjoy full access to hundreds more resources!


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“Heart-Work” – A series of ‘Arts on Prescription’ style workshops for young people at Cambourne Village College with Arts and Minds; Led by Sheila Ceccarelli (Artist) and Yael Pilowsky Bankirer (Psychotherapist)

Arts and Minds: Time to Introduce Ourselves – A Sculpture Challenge

We kicked off the programme with a quick making challenge which would act as an ice-breaker and introduce students to an array of materials. We kicked off the programme with a quick making challenge which would act as an ice-breaker and introduce students to an array of materials.

Arts and Minds: Asemic Writing and Invented Text

Students were given the opportunity to further explore expressive mark making as a tool for self-expression and a vehicle for communication. Students were given the opportunity to further explore expressive mark making as a tool for self-expression and a vehicle for communication.

Arts and Minds: Expressive Monoprinting on a Big Scale

Students enjoyed monoprinting on a large scale by rolling printing ink and acrylic paint directly onto the table and experimenting with ways to take prints. Students enjoyed monoprinting on a large scale by rolling printing ink and acrylic paint directly onto the table and experimenting with ways to take prints.

Constructing the World with Collage

Students were invited to use their previously created monoprints to construct large scale collages inspired by the landscape surrounding the college. Students were invited to use their previously created monoprints to construct large scale collages inspired by the landscape surrounding the college.

Manipulating Clay with Water

In this session teenagers had an abundance of clay and the freedom to play and manipulate form. In this session teenagers had an abundance of clay and the freedom to play and manipulate form.

With Special Thanks To:

And to Pink Pig sketchbooks for their continued support of AccessArt and providing young people with beautiful books for this project.

 

 

Building to the Limit

In this session students were given the challenge of making building blocks out of mixed media and using them to build a sculpture. They were encouraged to experiment with balancing different elements together and setting themselves the challenge of seeing how far they could build before their constructions collapsed. In this session students were given the challenge of making building blocks out of mixed media and using them to build a sculpture. They were encouraged to experiment with balancing different elements together and setting themselves the challenge of seeing how far they could build before their constructions collapsed.

Drawing for Mindfulness

Students were guided on drawing exercises designed to explore drawing as a tool for seeing and being in the here and now. Students were guided on drawing exercises designed to explore drawing as a tool for seeing and being in the here and now.

Feeling Through Drawing

Students were led on a guided drawing experience of drawing through touch. Students were led on a guided drawing experience of drawing through touch.

Arts and Minds: A ‘Heart-Work’ Conversation

Teenagers were introduced to graphite, charcoal, masking tape and acrylic paint as mediums for communal expressive mark making. A collective drawing was produced, whereby students were encouraged to work in collaboration and in response to each other. Teenagers were introduced to graphite, charcoal, masking tape and acrylic paint as mediums for communal expressive mark making. A collective drawing was produced, whereby students were encouraged to work in collaboration and in response to each other.

UK Charity AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.

Join AccessArt from only £3.50 per month and enjoy full access to hundreds more resources!


Arts and Minds: Building to the Limit


Arts and Minds: Manipulating Clay with Water


Arts and Minds: Constructing the World with Collage


Arts and Minds: Expressive Monoprinting on a Big Scale