Landscape Painting: Tone in the Landscape

By Hester Berry

Tone is a crucial aspect of landscape drawing and painting. I would assert that it is more important than colour in making a convincing depiction of a view. Light is a very real and physical part of a landscape, and a good grasp of tone can really bring a scene to life.

Landscape Painting: Tone in the Landscape by Hester Berry
‘Ink and Light (VI)’, ink on paper by Hester Berry

 

Please log in here to access full content.
Username
Password


Remember me
Forgot Password

 

To access all content, I would like to join as…

An Individual


Creative practitioners, educators, teachers, parents, learners...

Creative practitioners, educators, teachers, parents, learners…


From £3.50

An Organisation…


Schools, Colleges, Arts Organisations: Single and Multi-Users

Schools, Colleges, Arts Organisations: Single and Multi-Users


From £42


AccessArt is a UK Charity and we believe everyone has the right to be creative. AccessArt provides inspiration to help us all reach our creative potential.


Introduction to Landscape by Hester Berry

Gathering Marks and Tearing Paper to Appreciate Prints by Goya, Turner and Cornelius at the Fitzwilliam Museum, Cambridge

Related Posts

Teachers Explore ‘Line and Shape’ at the Fitzwilliam Museum, Cambridge with AccessArt

See all the blog posts from AccessArt's InSET in collaboration with the Fitzwilliam Museum. Find top Museum Education practice with practical, hands on learning in Fine Art disciplines including: drawing, printmaking, sketchbooks, collage and sculpture. See all the blog posts from AccessArt’s InSET in collaboration with the Fitzwilliam Museum. Find top Museum Education practice with practical, hands on learning in Fine Art disciplines including: drawing, printmaking, sketchbooks, collage and sculpture.

Monoprinting with Oil Pastel and Carbon Copy Paper

Join Paula Briggs to see how children enjoy the element of surprise when monoprints made with carbon paper paper are revealed. Join Paula Briggs to see how children enjoy the element of surprise when monoprints made with carbon paper paper are revealed.

Using Sketchbooks to Inform Larger Work

See how teenagers make large, torn collages on A1 paper with Sheila Ceccarelli See how teenagers make large, torn collages on A1 paper with Sheila Ceccarelli

Using Drawing to Get Closer to 18th Century Portraits at the Fitzwilliam Museum, Cambridge

You May Also Like…

Teachers Explore ‘Line and Shape’ at the Fitzwilliam Museum, Cambridge with AccessArt

fitz-making-18

Drawing and Making Flowers

Turning drawings into flowers using mixed media

Drawing and Making: Drawing to Feed Making – Making to Feed Drawing

Drawing and Making: processes feeding each other

Making Sketchbooks at the Fitzwilliam Museum, Cambridge

Related Posts

Teachers Explore ‘Line and Shape’ at the Fitzwilliam Museum, Cambridge with AccessArt

See all the blog posts from AccessArt's InSET in collaboration with the Fitzwilliam Museum. Find top Museum Education practice with practical, hands on learning in Fine Art disciplines including: drawing, printmaking, sketchbooks, collage and sculpture. See all the blog posts from AccessArt’s InSET in collaboration with the Fitzwilliam Museum. Find top Museum Education practice with practical, hands on learning in Fine Art disciplines including: drawing, printmaking, sketchbooks, collage and sculpture.

Making Sketchbooks: An Introduction

Simple Approaches to Making Sketchbooks by Paula Briggs Simple Approaches to Making Sketchbooks by Paula Briggs

Artist Aurora Cacciapuoti Introduces Japanese Bookbinding

Artist Aurora Cacciapuoti demonstrates, step by step, how to bind a sketchbook Artist Aurora Cacciapuoti demonstrates, step by step, how to bind a sketchbook

Using Sketchbooks, Drawing and Reflective Tools in the 20th Century Gallery at the Fitzwilliam Museum, Cambridge

Related Posts

Teachers Explore ‘Line and Shape’ at the Fitzwilliam Museum, Cambridge with AccessArt

See all the blog posts from AccessArt's InSET in collaboration with the Fitzwilliam Museum. Find top Museum Education practice with practical, hands on learning in Fine Art disciplines including: drawing, printmaking, sketchbooks, collage and sculpture. See all the blog posts from AccessArt’s InSET in collaboration with the Fitzwilliam Museum. Find top Museum Education practice with practical, hands on learning in Fine Art disciplines including: drawing, printmaking, sketchbooks, collage and sculpture.

Continuous Line Drawings (Squiggle Drawings) of Sticks

Look at this post to see how pupils aged 6 to 10 respond to a continuous line exercise exercise led by Paula Briggs. Look at this post to see how pupils aged 6 to 10 respond to a continuous line exercise exercise led by Paula Briggs.

Teenagers Make Prompts to Overcome White Page Syndrome

See here how teenagers overcome the white page with Sheila Ceccarelli. See here how teenagers overcome the white page with Sheila Ceccarelli.

Make a Model Stitched House

Ten Top Tips to Take Superb Pictures on Your Camera Phone by Ruth Purdy

The August Creative Challenge Gallery – Week Four

Join Us for an August Creative Challenge!

The August Creative Challenge Gallery – Week One

Drawing Space/Drawing in Space

Monoprinting Inspired by Goya, Turner and Cornelius in the Education Room at the Fitzwilliam Museum, Cambridge

Related Posts

Teachers Explore ‘Line and Shape’ at the Fitzwilliam Museum, Cambridge with AccessArt

See all the blog posts from AccessArt's InSET in collaboration with the Fitzwilliam Museum. Find top Museum Education practice with practical, hands on learning in Fine Art disciplines including: drawing, printmaking, sketchbooks, collage and sculpture. See all the blog posts from AccessArt’s InSET in collaboration with the Fitzwilliam Museum. Find top Museum Education practice with practical, hands on learning in Fine Art disciplines including: drawing, printmaking, sketchbooks, collage and sculpture.

Designing Wallpaper!

Children used photocopies of their own drawings as inspiration to have a go at designing wallpaper with Paula Briggs. Children used photocopies of their own drawings as inspiration to have a go at designing wallpaper with Paula Briggs.

Making Big Monotypes with Sheila Ceccarelli

Sheila Ceccarelli shares how she gave teenagers the opportunity to explore expressive mark making and monoprinting on a large scale. Sheila Ceccarelli shares how she gave teenagers the opportunity to explore expressive mark making and monoprinting on a large scale.

Creativity Session at Spinney Primary School

Teachers Make Mark Making Tools and ‘Battle it Out’ with Ink on a Spring InSET Day

Printing processes that use everyday materials to develop a creative focus for anyone, anywhere By Ruth Purdy

Rowan: Clay Coiling Techniques to Make Penguins, Tweety Pie and a Dalek too!

Rowan: Making a Clay Bird from a Mould

Teachers Start the New Year with Sketchbooks

Life Drawing: Using Tone by Hester Berry