Workshop Season in Review

By Mostyn de Beer

Mostyn de Beer is an experienced artist educator based in Sweden. Mostyn is especially interested in environmental art; his practice investigates links between creating art and environmental education. In this post, Mostyn looks back over the workshops he facilitated in 2021 and reflects on the artwork created and the playful moments shared with the children.

If you missed other posts in the series, you can find them here.
Children Painting On A Sheet by Mostyn de Beer


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AccessArt is a UK Charity and we believe everyone has the right to be creative. AccessArt provides inspiration to help us all reach our creative potential.




Introduction to Charcoal


World War 1 And The Work Of Paul Nash

See This Resource Used In Schools…

Sheffield High School
Sheffield High School
Sheffield High School
Sheffield High School
Sheffield High School
Sheffield High School


Green Thumbs


Which Artists: Andrew Amondson


Which Artists: Tatyana Antoun

What We Like About This Resource….

“The research phase of a creative project can be presented in many different ways, and can even be an art form in itself. Here, Tatyana demonstrates how her sketchbooks became a medium through which she expressed her thoughts, refined her ideas and explored materials. We believe sketchbooks to be a powerful tool for children to take ownership of their ideas and travel on their own creative journey, without necessarily knowing the destination. Take a look at our sketchbook journey for more sketchbook inspiration” – Rachel, AccessArt.

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Sketchbooks and Thinking Skills

Sketchbooks and Thinking Skills

Sketchbooks for Designers - an Introduction for Children

Sketchbooks for Designers – an Introduction for Children

Using Sketchbooks to Take Ownership of Ideas

Using Sketchbooks to Take Ownership of Ideas


Which Artists: Merlin Evans

What We Love About This Resource…

So often, we hear talk of the distinction between science and art, and no more so when teenagers proceed through their education and they are encouraged to choose one route or another. In reality, creative thinking helps scientific understanding and a scientific approach can inform and inspire art.

It’s so refreshing to read and see Merlin’s experience and understand how she works between these two areas – in her words “mixing subjects, and seeing how they work and intersect is where inventions take place!

We also love the way her work embraces the felt world of being human, as well as the known world. We’re sure many young people will find Merlin’s work of interest and reassuring when they are pressured to choose “art or science“.

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Drawing for Learning

Dr Fay Penrose, PhD, PGCert, SFHEA, BA(Hons) Senior Lecturer in Veterinary Anatomy and Head of First Year in Veterinary Science, University of Liverpool, explores why visual and tactile literacy and manual dexterity skills are important in the STEM subjects in higher education.

Dr Fay Penrose, PhD, PGCert, SFHEA, BA(Hons) Senior Lecturer in Veterinary Anatomy and Head of First Year in Veterinary Science, University of Liverpool, explores why visual and tactile literacy and manual dexterity skills are important in the STEM subjects in higher education.

Drawing as a Way of Understanding

Fay Penrose, Lecturer in Veterinary Biology at The Veterinary School at University of Liverpool, who shares her work in introducing drawing as a way of checking understanding of complex subjects. This methodology would be very transferable to a number of subject areas in schools.

Fay Penrose, Lecturer in Veterinary Biology at The Veterinary School at University of Liverpool, who shares her work in introducing drawing as a way of checking understanding of complex subjects. This methodology would be very transferable to a number of subject areas in schools.

Drawing as a Way of Understanding

Resource by Andrea Butler sharing her process of making drawings whilst walking. "I wanted to develop a way of drawing that captured my sensory and visual experiences as I moved through the landscape."

Resource by Andrea Butler sharing her process of making drawings whilst walking. “I wanted to develop a way of drawing that captured my sensory and visual experiences as I moved through the landscape.”


Exploring, Associating & Connecting – a Sketchbook Exercise


Home Made Inks


Printmaking By Scarlett Rebecca


How I Use Sketchbooks & Drawing


Kitchen Lithography

See This Resource Used In Schools…

St Saviour’s Primary School W9 Artist in Residence: Mrs De Perlaky
St Saviour’s Primary School W9 Artist in Residence: Mrs De Perlaky
St Saviour’s Primary School W9 Artist in Residence: Mrs De Perlaky
St Saviour’s Primary School W9 Artist in Residence: Mrs De Perlaky
St Saviour’s Primary School W9 Artist in Residence: Mrs De Perlaky
Year 6, St Saviour's Primary
Year 6, St Saviour's Primary
Year 6, St Saviour's Primary


The AccessArt Drawing Journey for Primary Children: Aims and Intent


Key Concepts for Primary Schools in Drawing for ages 5 to 7


Key Concepts for Primary Schools in Drawing for ages 7 to 9


Key Concepts for Primary Schools in Drawing for Ages 9 to 11


What Is A Drawing Tool?


How Do We Look At Contemporary Sculpture: Meg Klosterman


How Do We Look At Contemporary Sculpture: Mel Woo


How Do We Look At Contemporary Sculpture: Victoria Rotaru