Inspired! Re-Creating Cupid and Psyche in Mixed Media by Year Fives at Linton Heights

By Kirsty Webb

In this post, Kirsty Webb shares the submission by Linton Heights Junior School, Cambridgeshire for Inspire: A Celebration of Children’s Art in Response to Jacopo del Sellaio’s Cupid and Psyche by Year Five pupils.

Kirsty shares the pupils’ Inspire journey and their response to the Renaissance painting of Cupid and Psyche by Jacopo Del Sellaio at the Fitzwilliam Museum, Cambridge and the benefits of having a full immersion into materials and working together as a class on a shared project.

The Story of Cupid and Psyche Sellaio, Jacopo del; painter; Italian artist, 1441/2-1493
The Story of Cupid and Psyche Sellaio, Jacopo del; painter; Italian artist, 1441/2-1493

Re-Creating Cupid and Psyche in Mixed Media by Year Fives at Linton Heights

Cupid and Psyche by Year Five Pupils at Linton Heights Junior School, Cambs in the Inspire Exhibition, Fitzwilliam Museum, Cambridge
Cupid and Psyche by Year Five Pupils at Linton Heights Junior School, Cambridgeshire in ‘Inspire’, Fitzwilliam Museum, Cambridge

Linton Heights Junior School had a privileged opportunity to immerse themselves in the world of visual arts, particularly focussing on Jacopo del Sellaio’s Cupid and Psyche painting.

Year Five Class at linton Heights looking at Del Sellaio's Cupid and Psyche on the Whiteboard - Inspire - Kirsty Webb

For a whole week, the school had the pleasure of exploring the painting through all subjects including Maths, English, RE, Science and of course Art. Year 5 decided to create an art project that would last the entire week resulting in a final piece across the year group.

In order to challenge the children and give them as much exploration as possible, they were to work collaboratively on this project. The teachers arranged the children into small groups of children that wouldn’t normally work together. Each group was then given a section of the painting and they were set the task of upscaling their section.

A laminated teaching aid of the Cupid and Psyche panel - Kirsty Webb - Linton Heights

In order to maximise the potential of this collaborative work, the children took ownership of their own learning.

Year five pupils working from a teaching resource of a laminated slice of a reproduction of Cupid and Psyche from the Fitz -Kirsty Webb

Detail Year five pupils working from a teaching resource of a laminated slice of a reproduction of Cupid and Psyche from the Fitz -Kirsty Webb

This project gave the children the freedom to explore a range of different materials and ways of working within art. Previous art lessons were generally quite prescriptive, however, here the children were free to go into their surroundings, use unknown items and mediums which they hadn’t had the opportunity to use before.

They could be as creative as they liked, even using coffee granules, grass and salt to create texture!

Over the course of the week, the children built their art project ensuring it had a range of colours, textures and that it was 3D in some way.

Upscaling Cupid and Psyche - Linton Heights - Panel One - Kirsty Webb - Inspire

Year Fives working on Upscaling Cupid and Psyche - Linton Heights - Panel One - Kirsty Webb - Inspire

Close up of Psyche by year five children working on a section of Cupid and Psyche - Linton Heights - Kirsty webb - Inspire

Year Five children at Linton Heights working with mixed media in response to Cupid and Psyche - Fitz - inspire - Kirsty Webb

Close up year five children working on a section of Cupid and Psyche - Linton Heights - Kirsty webb - Inspire

Working on upscaling Cupid and Psyche - Year five pupil at linton Heights with Teacher Kirsty ebb for Inspire

Upscaling Cupid and Psyche - the suitors - Year five pupils with kirsty webb - inpsire

Close up of the suitors - kirsty webb - inspire

Upscaling Cupid and Psyche - Panel where Psyche is falling off a mountain - Linton Heights- Kirsty Webb

Finding materials for Upscaling Cupid and Psyche - year fine Linton Heights - Teacher Kirsty Webb - Inspire - Fitz

Close up Collaboratively upscaling Cupid and Psyche - Year five pupils at Linton Heights working with class teacher Kirsty eebb - Inspire - Fitz

working collaboratively - Linton Heights Junior School with teacher Kirsty webb - Inspire - Fitz

Upscaling Cupid and Psyche - Cupid by Year Five pupils at Linton Heights - Inspire Fitz

Close up of Cupid and Psyche - Cupid is revealed - Linton heights - Year five - Kirsty webb - Inspire

Palettes at the end of the Cupid and Psyche project at Linton heights Juniors - this photo shows lots of messy palettes full of paint and glue

The children had a fantastic week exploring the painting. They thrived at having the opportunity to work collaboratively, explore using a range of resources, having freedom and taking their time to create a final piece.

The work they achieved went above and beyond the expectations of the project and it has inspired both the children and teachers to work in new ways.

The final pieces created were exceptional and both the children and adults involved are extremely proud of their work!


Go back to Inspire: A Celebration of Children’s Art in Response to Jacopo del Sellaio’s Cupid and Psyche

Inspire ArtWork from the Fitzwilliam Museum - An exhibtion of children's work inspired by the Renaissance artist Del Sellaio, In collaboration with AccessArt

 

Inspire – December 2019 to March 2020, was an exhibition of art made by primary school children and celebrated creativity in Cambridgeshire schools. It championed the on-going importance of cultural learning and the visual arts for all children and young people.

Based on the National Gallery’s Take One PictureThe Fitzwilliam Museum and AccessArt teamed together to offer free Inspire 2020 CPD (Continued Professional Development for Teachers), focusing on one painting, Cupid and Psyche by Jacopo del Sellaio, as a source of ideas and inspiration.

Del Sellaio’s Cupid and Psyche was on display next to the children’s work in the Octagon Gallery.

With very special thanks to Kate Noble,  Miranda StearnSarah Villis, and Holly Morrison for making this project happen and Alison Ayres.

This post was contributed by Kirsty Webb with special permission from Linton Heights Junior School edited for AccessArt by Sheila Ceccarelli.

Fitzwilliam logo

UK Charity AccessArt created this resource in collaboration with the Fitzwilliam Museum, Cambridge.

AccessArt has over 850 resources to help develop and inspire your creative thinking, practice and teaching.

AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.


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A Progression Pathway in Clay Work

From Early Years

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Paula gives children the tools to both draw and make. Children worked with hard and soft pencils, graphite, wax resist, watercolour, clay and sticks. Paula gives children the tools to both draw and make. Children worked with hard and soft pencils, graphite, wax resist, watercolour, clay and sticks.

From Key Stage One

How to Clay Play

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Quick Clay Figurative Sketches By Paula Briggs

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Decorative Clay Coil Pots by Sharon Gale

This simple clay pot making resource is not the traditional way of making coil pots but it’s lots of fun and by using different paint effects, the end results can be very interesting. We worked on this project for two, two-hour sessions. This simple clay pot making resource is not the traditional way of making coil pots but it’s lots of fun and by using different paint effects, the end results can be very interesting. We worked on this project for two, two-hour sessions.

Making Plaster Reliefs By Paula Briggs

This resource describes how to create plaster reliefs using clay and foamboard moulds. It is based upon a session which took place at Bourn Primary Academy with a group of Year 5 children. This resource describes how to create plaster reliefs using clay and foamboard moulds. It is based upon a session which took place at Bourn Primary Academy with a group of Year 5 children.

Clay Art Medals by Sharon Gale

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Japan: Making Sushi – Recycled Style! By Jan Miller

Inspired by research into Japanese culture, children explored the potential and limitations of paper and recycled materials, learning through play and experimentation to make 3D forms. The outcomes of this process were used to inform work created in a second medium of clay, using kitchen equipment to shape the clay and add textures. Inspired by research into Japanese culture, children explored the potential and limitations of paper and recycled materials, learning through play and experimentation to make 3D forms. The outcomes of this process were used to inform work created in a second medium of clay, using kitchen equipment to shape the clay and add textures.

From Key Stage Two

Japan – Ceramics Inspire Painting and Painting Inspires Ceramics By Jan Miller

Jan shares a Year Three class project that uses the work of a contemporary Japanese ceramicist to inspire vibrant paintings in a variety of materials. The children then used their own art to design ceramic vessels. Jan shares a Year Three class project that uses the work of a contemporary Japanese ceramicist to inspire vibrant paintings in a variety of materials. The children then used their own art to design ceramic vessels.

Clay ‘Portrait’ Miniatures by Sharon Gale

Portrait miniatures are small painted images, usually of monarchs and very wealthy, important people. Dating back to the 1520s, these tiny portraiture paintings are like medals, but with realistic colour. This two stage clay and painting resource is very versatile because essentially the miniatures are blank canvasses. Portrait miniatures are small painted images, usually of monarchs and very wealthy, important people. Dating back to the 1520s, these tiny portraiture paintings are like medals, but with realistic colour. This two stage clay and painting resource is very versatile because essentially the miniatures are blank canvasses.

Clay Slab Work by Andy Cairns

This resource explores how to make an armature and use clay slab to build a form. Based upon the legend of “Black Shuck”, a ghostly dog that roams the coast searching for its drowned masters, this project engaged the children and resulted in charismatic sculptures, but you could equally transfer the activity to other themes. This resource explores how to make an armature and use clay slab to build a form. Based upon the legend of “Black Shuck”, a ghostly dog that roams the coast searching for its drowned masters, this project engaged the children and resulted in charismatic sculptures, but you could equally transfer the activity to other themes.

Fruit-Inspired Clay Tiles By Rachel Dormor

Ceramicist Rachel Dormor shares a workshop idea suitable for primary or secondary aged children. Working in clay, pupils take their inspiration from drawings of fruit to make decorative clay tiles. Ceramicist Rachel Dormor shares a workshop idea suitable for primary or secondary aged children. Working in clay, pupils take their inspiration from drawings of fruit to make decorative clay tiles.

Fruit Pinch Pot Project By Rachel Dormor

Ceramicist Rachel Dormor shares a workshop idea suitable for primary or secondary aged children. Working in clay, pupils take their inspiration from drawings of fruit to make simple pinch pot mugs. Ceramicist Rachel Dormor shares a workshop idea suitable for primary or secondary aged children. Working in clay, pupils take their inspiration from drawings of fruit to make simple pinch pot mugs.

From Key Stage Three and Beyond

Chimera Drawings into Beautiful Terracotta Tiles By Eleanor Somerset

Sgraffito, or ‘scratching’ is a technique which is an excellent way to reinforce mark making with all age groups.
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Drawing into leather hard red clay tiles to create designs using mark-making can be even more effective when done through a white earthernware slip to reveal the red clay beneath.

Exploring Materials: Clay and Water by Sheila Ceccarelli

Sheila asked teenagers at AccessArt’s Experimental Drawing Class when the last time was that they had played with clay? Sheila asked teenagers at AccessArt’s Experimental Drawing Class when the last time was that they had played with clay?

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Painted Clay by Melissa Pierce Murray

This post was inspired by the Japanese art of dorondongo, where mud and dirt are shaped and buffed into highly polished spheres. We made clay spheres and other simple forms in clay, and once dry, painted them with ink and acrylic. This post was inspired by the Japanese art of dorondongo, where mud and dirt are shaped and buffed into highly polished spheres. We made clay spheres and other simple forms in clay, and once dry, painted them with ink and acrylic.

Exploring Portraits with Eleanor Somerset

In this resource artist, Eleanor Somerset shows how she led students in The Little Art Studio, Sheffield, to explore and discover portraiture through various media. In this resource artist, Eleanor Somerset shows how she led students in The Little Art Studio, Sheffield, to explore and discover portraiture through various media.

Introducing Sgraffito using a Coloured Clay Slip on a Terracotta Tile By Eleanor Somerset

Further explore how to make beautiful sgraffito, or ‘scratched drawings’ with artist Eleanor Somerset. Further explore how to make beautiful sgraffito, or ‘scratched drawings’ with artist Eleanor Somerset.

From Bones and Body to Structure and Form By Melissa Pierce Murray

Artist Melissa Pierce Murray worked with teenagers from AccessArt’s Experimental Drawing Class on a series of workshops which physically explored drawing and sculptural responses to form, forces and anatomy. Artist Melissa Pierce Murray worked with teenagers from AccessArt’s Experimental Drawing Class on a series of workshops which physically explored drawing and sculptural responses to form, forces and anatomy.

Simple Clay Moulds by Melissa Pierce Murray

In this post, artist Melissa Pierce Murray, shows, step-by-step, how young teenagers explored plaster casting by making simple clay ‘waste moulds’ and then moved on to making simple ‘two piece moulds’. In this post, artist Melissa Pierce Murray, shows, step-by-step, how young teenagers explored plaster casting by making simple clay ‘waste moulds’ and then moved on to making simple ‘two piece moulds’.

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Resident artist at ArtWorks Studios, Cambridge, Rachel Wooller, introduces teenagers at AccessArt’s Experimental Drawing Class to the process of casting and creating negative shapes in plaster from clay positives. Resident artist at ArtWorks Studios, Cambridge, Rachel Wooller, introduces teenagers at AccessArt’s Experimental Drawing Class to the process of casting and creating negative shapes in plaster from clay positives.

Rowan: Clay Coiling Techniques to Make Penguins, Tweety Pie and a Dalek too! by Abi Moore and Sarah Nibbs

Abi, Sarah and students at Rowan Humberstone, show how they made clay birds using clay coiling techniques and with a plaster mould for the birds’ bases. Abi, Sarah and students at Rowan Humberstone, show how they made clay birds using clay coiling techniques and with a plaster mould for the birds’ bases.

Rowan: Making a Clay Bird from a Mould by Abi Moore and Sarah Nibbs

Abi and students from Rowan Humberstone, describe how they made clay birds from a plaster mould. Abi and students from Rowan Humberstone, describe how they made clay birds from a plaster mould.

Modelling The Head in Clay by Melissa Pierce Murray

Artist Melissa Pierce Murray led a series of workshops for AccessArt’s Experimental Drawing Class in which the teenagers modelled a head in clay. There are five resources in this series, beginning with constructing an armature and making preparatory drawings, then studying the bone structure of the skull before moving on to features. The final post in this series looks at ways to increase the techniques and approaches used in drawing. Artist Melissa Pierce Murray led a series of workshops for AccessArt’s Experimental Drawing Class in which the teenagers modelled a head in clay. There are five resources in this series, beginning with constructing an armature and making preparatory drawings, then studying the bone structure of the skull before moving on to features. The final post in this series looks at ways to increase the techniques and approaches used in drawing.

Design Lab: Phoebe Cummings at the V&A

Students, from the DesignLab at the V&A, London, worked with artist Phoebe Cummings over a three month period to create a site-specific, group piece, from unfired clay which was inspired by the historical 2D designs found on 19th century British tableware in the collection. Students, from the DesignLab at the V&A, London, worked with artist Phoebe Cummings over a three month period to create a site-specific, group piece, from unfired clay which was inspired by the historical 2D designs found on 19th century British tableware in the collection.


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