Making the “AccessArt For All” Banner

By Paula Briggs

Sewn banners sit within a long and powerful tradition of creativity and activism, where textiles, stitch, colour and symbol are used to make visible what communities care about. From suffrage banners to trade union, peace and protest banners, making by hand has enabled people to gather, speak collectively and claim space. In this post, we document how AccessArt made a sewn banner to help create a strong visual presence at advocacy events.

 

out and about with the AccessArt Banner: "AccessArt for All" at the Houses of Westminster

As a Subject Association for art, representing over 24,000 members, and as a visual arts educational charity, we always try to balance our practical work creating resources for teachers and learners with our advocacy work, raising awareness of the importance of arts education for all. With the Curriculum and Assessment Review, the government’s response to that review, and a whole raft of proposals aimed at providing a world-class curriculum for all, the wider arts education community has, in many ways, never felt more united in its message. It felt like an appropriate time to make a banner that AccessArt could use at events to help create greater visibility. Inspired by the beautiful banners created by trade unions and the Suffragette movement, we decided our banner needed to be carefully crafted and beautiful to look at.

 

AccessArt Banner saying "AccessArt for All"

To Begin

Letters were drawn on paper to act as templates. We sketched these freehand, working between measured lines, but you might decide to enlarge letters downloaded from the internet.

 

Paper letters ready to be used as templates for fabric letters

We then used the paper letters to cut out a fabric letter that was 1cm larger in every dimension than the paper template, and then a letter cut from iron-on interfacing. The shape cut from interfacing needed to fit the reverse of the letter, as it was to be ironed onto the back of the fabric letter.

 

interfacing cut to fit the reverse of each letter

Using a running stitch, we hemmed each letter around the interfacing.

 

the fabric hemmed over the interfacing to form each letter

We then pinned the hemmed letters to the banner background, using a chalk pencil to mark out positions to ensure everything was straight.

 

Cloth letters pinned on to the background of a banner

 

fabric letters pinned to the background

We used a small overcast stitch to simply attach the edges of each letter to the banner. We then ironed each letter down, using the interfacing to help fix the letters in place.

 

the back of the banner showing stitches attaching the letters

We scaled up the AccessArt bird using the grid method.

 

The AccessArt bird, scaled and outlined in fabric, sewn on to the banner

 

the back of the banner showing the stitches attaching the AccessArt bird

 

single side of AccessArt banner

As we wanted the banner to display the message “AccessArt for All” from both the front and the back, we made two versions, one mirrored, so the text could be read from either side.

 

image showing the banner consist of two pieces of cloth, mirroring each other so the message can be read from behind as well as the front

 

image showing the banner consist of two pieces of cloth, mirroring each other so the message can be read from behind as well as the front

We then sewed them together (hemming as we went) using a sewing machine.

 

using a sewing machine to hem the banner

Time to take the “AccessArt for All” banner out into the world!

 

out and about with the AccessArt Banner: "AccessArt for All" at the Palace of Westminster

The Arts & Minds Coalition visited Westminster to deliver an open letter signed by 10,000 people to make space for the arts in schools (2025).

 

out and about with the AccessArt Banner: "AccessArt for All" at the Palace of Westminster, with the Arts & Minds coalition

 

out and about with the AccessArt Banner: "AccessArt for All" at the DfE

 

out and about with the AccessArt Banner: "AccessArt for All" at the DfE

Banners can communicate hope, resistance, care and solidarity in ways that words alone sometimes cannot. Making a banner is also a collective act: it brings people together to think, talk, make and stand alongside one another. Banners help us claim space and show what matters to us. We hope the AccessArt banner encourages you to think about how you might make your own banner. What will it convey? Who will you make it with? Where will you take it?

 

photo of banner saying "we need to make more banners"

 


This is a sample of a resource created by UK Charity AccessArt. We have over 1500 resources to help develop and inspire your creative thinking, practice and teaching.

AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.


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Oak National Academy & The Art & Design Curriculum

During 2022 and 2023 AccessArt attended consultations organised by Oak National Academy to explore the potential for relaunching Oak after its initial creation during the pandemic. Like many educational publishers, we were concerned at the time about both the nature and quality of the resources created, the ethics of the creation of a curriculum by government, and also the potential impact of a so called “free” curriculum on commercial and charitable educational suppliers.

First, a little history about AccessArt. We are 25 years old this year, and we are proud to say that for the last few years we have become a self-supporting arts organisation, requiring no funding from outside sources. We are in this fortunate position because our (many thousands of) members pay a small subscription fee to access all our resources. In turn, this allows us to create new resources for our community, and most importantly, remain true to our vision and integrity. The insight, intelligence and pragmatic nature of our offering to schools means that we are privileged to help thousands of teachers inspire hundreds of thousands of pupils. This is no more in evidence than in the creation of the AccessArt Primary Art Curriculum. When we planned and created our curriculum, we were brave, followed our instinct and experience, and made certain that alongside the curriculum ethos and resources we created a support system and network to enable teachers to become enthusiastic, knowledgeable and confident art facilitators. The success of the curriculum has been recognised, with schools and Trusts recommending the flexible and empowering scheme to their colleagues. Our real pride though, is that artists, designers and craftspeople recognise the curriculum as being robust, exciting and rich – exactly the kind of experience they appreciate and value as artists.

So you can image we are justifiably proud of our achievement. We are now busy at work on our Key Stage 3 pathways, and beyond into adult and community education. Our vision is true, our team and trustees incredible, and our business model as a membership charity is strong.

In 2023 AccessArt was approached by Oak National Academy to explore partnership working in the creation of new curriculum resources, and later the same year I was approached to join the Expert Group. We turned both opportunities down. Here’s why.

There is currently a Judicial Review brought about by three claimants: The British Educational Suppliers Association (BESA), the Publishers Association, and the Society of Authors. This is also supported by the National Education Union who are participating as an “interested party”.

“The government’s plans for Oak will be an unprecedented and unevidenced intervention that will cause irreparable damage to the education sector as we know it. The government is in effect creating a one-size-fits-all state publisher that promotes a single curriculum, controlled by the Education Secretary of the day. This will undo years of work by publishers who have invested expertise over many decades in creating a rich range of world-leading resources for school children across the country.

“There is simply too much at stake to let these plans proceed unopposed. The potential impact on teacher autonomy, learner outcomes, and curriculum diversity and quality is too significant. That is why authors, publishers, educational suppliers, school groups, teachers’ unions, and others have all voiced strong concern over these plans.” Dan Conway, CEO of the Publishers Association

“If we don’t act now, educators will be left with one set of state approved online resources which will threaten diversity and choice, remove financial incentives, and damage the healthy competition which is at the heart of educational publishing. The result will likely be a weaker overall pool of resources, greater challenges for teachers, and a negative impact on students’ learning.” Nicola Solomon, Chief Executive of the Society of Authors

“Converting Oak from an emergency response to Covid to a permanent part of government is a decision with ominous implications. Without consultation or parliamentary debate, the government has taken a long stride towards directing the detail of teachers’ work. Unless its actions are challenged, what is now presented as an optional resource will soon become the norm in schools. The government should recognise its limits: it does not have the capacity, the imagination and the understanding to intervene in this way.” Kevin Courtney, Joint Gen Sec, NEU.

The concerns echoed by the case brought to Judicial review, are echoed by the National Education Union. Key NEU concerns:

Claims that OAK is “by and for teachers” and “operationally independent” of Government misrepresent its true nature: OAK is under the ultimate control of ministers. Its resources are produced by a range of organisations by way of a commercial tendering process.

The Government’s business case for Oak is clear that it will be “continuously strategically aligned with Government policy as it develops over time”.

OAK’s status means there is a risk its materials will be seen as Government approved and “safe”.
This will increase pressure for schools to use their products, particularly given the pressures that Ofsted exerts, and its current focus on curriculum

Examples of how OAK is aligned with Ofsted include:

Each of the “Subject Expert Panels” set up to advise on the production of Oak materials includes an Ofsted Inspector

The Government’s business case for the OAK ALB acknowledged that Ofsted’s overall emphasis, since 2019, on the curriculum within school inspections “may…be influential in shaping and accelerating the uptake of [Oak’s] service.”

Read the Full NEU Statement here.

We believe Oak is a flawed and dangerous idea, and we are not alone. We believe that whilst Oak attempts to involve experts in its creation, the mechanisms and ethos behind creation of resources will ultimately restrict and control. And let’s remember that whilst Oak touts itself as being “free”, it does in fact cost money which the government could choose to spend in wiser ways to value teachers, build knowledge and seek real vision. Those original consultations we attended? We see no evidence of listening to what we heard during those sessions, and in many other education roundtables, as a no thank you to Oak National Academy.

As a Subject Association and charitable organisation which has worked long and hard to develop expertise which develops and enables our community of users to feel supported, inspired and empowered, AccessArt will continue to work independently through our principles and practice to support our members. We thank you for your continued support and understanding about what’s really important in art education.

Paula Briggs, CEO & Creative Director AccessArt, April 2024

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