Play and Placement: Teachers Explore Approaches to Drawing

By Sheila Ceccarelli

Belvue School, Ealing, whose vision is “to be the centre of excellence for students with special educational needs”, invited AccessArt to do a series of twilight drawing sessions to introduce teachers to drawing in preparation of their upcoming Art Week.

This was the third and final session in the series, and an opportunity to play with creative mark-making and explore context and placement as an introduction to larger scale drawing and concepts around installation art.

The session was broken down into several drawing ice-breakers, designed to help teachers take ownership of drawing processes and then a final exercise, where teachers were invited to creatively respond to each other’s work.

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AccessArt is a UK Charity and we believe everyone has the right to be creative. AccessArt provides inspiration to help us all reach our creative potential.




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We kicked off the programme with a quick making challenge which would act as an ice-breaker and introduce students to an array of materials. We kicked off the programme with a quick making challenge which would act as an ice-breaker and introduce students to an array of materials.

Arts and Minds: Asemic Writing and Invented Text

Students were given the opportunity to further explore expressive mark making as a tool for self-expression and a vehicle for communication. Students were given the opportunity to further explore expressive mark making as a tool for self-expression and a vehicle for communication.

Arts and Minds: Expressive Monoprinting on a Big Scale

Students enjoyed monoprinting on a large scale by rolling printing ink and acrylic paint directly onto the table and experimenting with ways to take prints. Students enjoyed monoprinting on a large scale by rolling printing ink and acrylic paint directly onto the table and experimenting with ways to take prints.

Constructing the World with Collage

Students were invited to use their previously created monoprints to construct large scale collages inspired by the landscape surrounding the college. Students were invited to use their previously created monoprints to construct large scale collages inspired by the landscape surrounding the college.

Manipulating Clay with Water

In this session teenagers had an abundance of clay and the freedom to play and manipulate form. In this session teenagers had an abundance of clay and the freedom to play and manipulate form.

With Special Thanks To:

And to Pink Pig sketchbooks for their continued support of AccessArt and providing young people with beautiful books for this project.

 

 

Building to the Limit

In this session students were given the challenge of making building blocks out of mixed media and using them to build a sculpture. They were encouraged to experiment with balancing different elements together and setting themselves the challenge of seeing how far they could build before their constructions collapsed. In this session students were given the challenge of making building blocks out of mixed media and using them to build a sculpture. They were encouraged to experiment with balancing different elements together and setting themselves the challenge of seeing how far they could build before their constructions collapsed.

Drawing for Mindfulness

Students were guided on drawing exercises designed to explore drawing as a tool for seeing and being in the here and now. Students were guided on drawing exercises designed to explore drawing as a tool for seeing and being in the here and now.

Feeling Through Drawing

Students were led on a guided drawing experience of drawing through touch. Students were led on a guided drawing experience of drawing through touch.

Arts and Minds: A ‘Heart-Work’ Conversation

Teenagers were introduced to graphite, charcoal, masking tape and acrylic paint as mediums for communal expressive mark making. A collective drawing was produced, whereby students were encouraged to work in collaboration and in response to each other. Teenagers were introduced to graphite, charcoal, masking tape and acrylic paint as mediums for communal expressive mark making. A collective drawing was produced, whereby students were encouraged to work in collaboration and in response to each other.

UK Charity AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.

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Landscape Painting: Tone in the Landscape


Landscape Painting: A Collection of Resources by Hester Berry

Introduction to Landscape by Hester Berry

This introduction to landscape painting is an exercise in looking and discovering, browsing and daydreaming.

This introduction to landscape painting is an exercise in looking and discovering, browsing and daydreaming.

Landscape Painting: Tone in the Landscape

In this post Hester Berry explores tone as a crucial aspect of landscape drawing and painting. 

In this post Hester Berry explores tone as a crucial aspect of landscape drawing and painting. 

Landscape Painting: Plein Air Painting

Plein Air painting is the practice of painting outside, normally in front of one’s subject.

Plein Air painting is the practice of painting outside, normally in front of one’s subject.

Landscape Painting: Colour in the Landscape

Hester Berry shows how working with colour can be broken down, simplified and approached in a pragmatic way.

Hester Berry shows how working with colour can be broken down, simplified and approached in a pragmatic way.

landscape Painting: Expressive mark Making

Practice and hone technical skills, use of tone and colour, observation and time spent in the landscape.

Practice and hone technical skills, use of tone and colour, observation and time spent in the landscape.


Arts and Minds: Expressive Monoprinting on a Big Scale


Arts and Minds: Drawing for Mindfulness


Arts and Minds: Feeling Through Drawing


Arts and Minds: Asemic Writing and Invented Text


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Sketchbook Exercise: Drawing Brushes with Charcoal


Introduction to Landscape by Hester Berry


Teachers Explore ‘Line and Shape’ at the Fitzwilliam Museum, Cambridge with AccessArt

explore resources…

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USING DRAWING TO GET CLOSER TO 18TH CENTURY PORTRAITS

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MAKING SCULPTURAL INTERPRETATIONS OF 18TH CENTURY PORTRAITS

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GATHERING MARKS AND TEARING PAPER TO APPRECIATE PRINTS BY GOYA, TURNER AND CORNELIUS

Browsing the Print Collection

MONOPRINTING INSPIRED BY GOYA, TURNER AND CORNELIUS

Teachers begin their Exploration!

TEACHERS PLAY WITH PLASTICINE TO MAKE PRINTS

Print Revealed


Gathering Marks and Tearing Paper to Appreciate Prints by Goya, Turner and Cornelius at the Fitzwilliam Museum, Cambridge

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