Taking on the Inktober Challenge

By Morag Thomson Merriman

lead photo Taking on Inktober by Morag Morag Thomson Merriman
Taking on Inktober by Morag Thomson Merriman

With Inktober 2018 upon us, I have been asked to write about my participation in this challenge last year, and what an energising and inspiring experience it was!

Inktober was created by Jake Parker in 2009 as a way to improve his skills with ink and to develop what he calls “…positive drawing habits”. Inktober has now exploded worldwide, and now occurs every year in October, with a list of daily prompts to challenge artists to create an ink drawing every day for that month.

I had first heard about Inktober a few years ago, but felt it was beyond me, until last year when I discovered that one of my favourite illustrators was going to take part. She was going to go with her own theme rather than follow the official Inktober prompt for each day, and this I found liberating.

Inktober 2017 by Morag Merriman
Inktober Challenge 2017, by Morag Thomson Merriman


Please log in here to access full content.

Username
Password


Remember me
Forgot Password

 

To access all content, I would like to join as…

An Individual

Creative practitioners, educators, teachers, parents, learners…


An Organisation…

Schools, Colleges, Arts Organisations: Single and Multi-Users



AccessArt is a UK Charity and we believe everyone has the right to be creative. AccessArt provides inspiration to help us all reach our creative potential.




The Making of: “Creativity is a Process” and Comebacks to the Ogres”


Animating with a Green Screen


An Exploration of Artwork by Shepard Fairey


Find Your Message (To The World)

 

 

You May Also Like…

Pathway: Print & Activism

This is featured in the 'Print & Activism' pathway

This is featured in the ‘Print & Activism’ pathway

Talking Points: Luba Lukova

Luba Lukova Vimeo Screenshot https://vimeo.com/34541872

Talking Points: Faith Ringgold

Faith Ringgold Youtube Screenshot

Talking Points: Kate DeCiccio

Adobe- Art As Activism Vimeo Screenshot

Talking Points: Shepard Fairey

Shepard-ProtectEachOther


Teenagers Make Propaganda Art Inspired by Shepard Fairey

 

See This Resource Used In Schools…

Year 6, Hill Top Primary Academy
Year 6, Hill Top Primary Academy
Year 6, Hill Top Primary Academy
Year 6, Hill Top Primary Academy
Year 6, Hill Top Primary Academy
Work produced by 12-14 year olds. Philippa McDonald of Creative Days
Work produced by 12-14 year olds. Philippa McDonald of Creative Days
Work produced by 12-14 year olds. Philippa McDonald of Creative Days
Work produced by 12-14 year olds. Philippa McDonald of Creative Days
Jo Wilson and Beecroft Garden Primary School
Jo Wilson and Beecroft Garden Primary School
Jo Wilson and Beecroft Garden Primary School
Jo Wilson and Beecroft Garden Primary School
Jo Wilson and Beecroft Garden Primary School
Mr Ashley Larter and Mrs Emma Webster, Year 6, St Hilary's School
Mr Ashley Larter and Mrs Emma Webster, Year 6, St Hilary's School
Mr Ashley Larter and Mrs Emma Webster, Year 6, St Hilary's School
Mr Ashley Larter and Mrs Emma Webster, Year 6, St Hilary's School

You May Also Like…

Pathway: Print & Activism

This is featured in the 'Print & Activism' pathway

This is featured in the ‘Print & Activism’ pathway

Talking Points: Luba Lukova

Luba Lukova Vimeo Screenshot https://vimeo.com/34541872

Talking Points: Faith Ringgold

Faith Ringgold Youtube Screenshot

Talking Points: Kate DeCiccio

Adobe- Art As Activism Vimeo Screenshot

Talking Points: Shepard Fairey

Shepard-ProtectEachOther


Screen Prints Inspired by Shepard Fairey


#BeACreativeProducer Workshop with Primary-Aged Children


To Construct…

You May Also Like…

Talking Points: Linda BEll

Explore how Linda Bell creates sculptures

Explore how Linda Bell creates sculptures

Talking Points: Nnena Kalu

Explore artist Nnena Kalu

Explore artist Nnena Kalu


Beginning with Bones


Dancing Bones


To Colour….


The AccessArt Village and How a Small Idea can be Big

See how primary school pupils responded to the AccessArt Village in Mansfield Central Library

This was a very special day for Sheila Ceccarelli from AccessArt, as she got to meet and work with sixty, year five pupils from Berry Hill Primary School in Mansfield Central Library, with colleagues from Inspire Arts Service, who had previously facilitated the development of the AccessArt Village across Nottinghamshire.

Making an Ink and Wax Village with Pupils in Mansfield

This was a very special day for Sheila Ceccarelli from AccessArt, as she got to meet and work with sixty, year five pupils from Berry Hill Primary School in Mansfield Central Library, with colleagues from Inspire Arts Service, who had previously facilitated the development of the AccessArt Village across Nottinghamshire.


Sensory Spaces: An Autism-Friendly Project

To Connect


At the beginning of the project it was important to take time getting used to each other, the learning space and the surrounding environment. Below is a list of considerations you may find helpful to use in your own learning spaces. Be aware of the daily sounds, smells and other textures of life in your learning space; a constant humming noise or flickering light may be stressful for a child with autism. Allow time for everyone to feel their way in the space; connections may be made through the use of different senses and body parts.

At the beginning of the project it was important to take time getting used to each other, the learning space and the surrounding environment. Below is a list of considerations you may find helpful to use in your own learning spaces. Be aware of the daily sounds, smells and other textures of life in your learning space; a constant humming noise or flickering light may be stressful for a child with autism. Allow time for everyone to feel their way in the space; connections may be made through the use of different senses and body parts.

To Conceal


During the six week project, the group explored different themes and actions, some of these were displayed through learning schemas. In week 2 we experimented with different ways to conceal ourselves and objects; schemas such as enveloping and enclosure were exhibited by the group.

During the six week project, the group explored different themes and actions, some of these were displayed through learning schemas. In week 2 we experimented with different ways to conceal ourselves and objects; schemas such as enveloping and enclosure were exhibited by the group.

To Colour

Two of the sessions explored the theme of colour. The first was rather abstract, I asked questions such as; What does colour smell like? What does colour feel like?
For a child on the autistic spectrum, a question like this may be confusing, some autistic people think and understand literally. So instead of directing these questions at the children, I answered and speculated on them myself. These abstract questions became vehicles for the workshops documented below.

Two of the sessions explored the theme of colour. The first was rather abstract, I asked questions such as; What does colour smell like? What does colour feel like?
For a child on the autistic spectrum, a question like this may be confusing, some autistic people think and understand literally. So instead of directing these questions at the children, I answered and speculated on them myself. These abstract questions became vehicles for the workshops documented below.

To Construct


In my final post on the project, I want to reflect on the theme of To Construct… looking at the different ways we constructed during the project. Please remember this is a personal and artistic reflection, based on the ideas I presented and the (emotional and physical) reactions and responses of the children and their families, who inspired changes and the development of the project as we experienced it.

In my final post on the project, I want to reflect on the theme of To Construct… looking at the different ways we constructed during the project. Please remember this is a personal and artistic reflection, based on the ideas I presented and the (emotional and physical) reactions and responses of the children and their families, who inspired changes and the development of the project as we experienced it.


Explore and Draw


To Connect…

You May Also Like…

Talking Points: Linda BEll


Explore how Linda Bell creates sculptures


Explore how Linda Bell creates sculptures

Talking Points: Nnena Kalu


Explore artist Nnena Kalu


Explore artist Nnena Kalu


Drawing as a Tool for Wellbeing at Chesterton Community College, Cambridge


Continuous Line Drawing Exercise


Wave Bowls


The Anatomy of a Pencil

AccessArt has over 850 resources to help develop and inspire your creative thinking, practice and teaching.

AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.

You May Also Like…

USING SKETCHBOOKS, DRAWING AND REFLECTIVE TOOLS IN THE 20TH CENTURY GALLERY

fitz-session-1-44 PB

Beginner’s Guide to Drawing Materials

Hard and soft pencils

Drawing Insects with an H Pencil

Drawing insects with a hard (H) pencil