“Heart-Work” – A series of ‘Arts on Prescription’ style workshops for young people at Cambourne Village College with Arts and Minds; Led by Sheila Ceccarelli (Artist) and Yael Pilowsky Bankirer (Psychotherapist)

This series of workshops with students at Cambourne Village College was part of the ‘Young People’s Pilot’, coordinated and managed Arts and Minds, a leading arts and mental health charity in Cambridgeshire. The sessions were led by Sheila Ceccarelli from AccessArt (artist) and Yael Pilowsky Bankirer (Psychotherapist).

Arts and Minds - Cambourne VC - Week Two - SC

Arts and Minds developed the Young People’s Pilot of Arts on Prescription, thanks to funding from the Arts Council’s Norfolk and Norwich Festival Bridge organisation.

“In Cambridgeshire mental health service provision for Young People involves lengthy wait times and the thresholds necessary to trigger statutory care continue to rise.  Arts and Minds wanted to see what could be done as an ‘early help’ provision for young people within schools.” Gavin Clayton, Arts and Minds

“For me, this workshop series was a wonderful opportunity to take creative processes into a school without curriculum pressures or worries about evaluation. Art, here, was recognised, not as a subject, but as a bespoke and personal language used to transform, express and construct. It was wonderful to see young people respond so spontaneously, openly and naturally to the processes presented to them and most importantly for them to value them and appreciate them as their own. This project was as much about ownership and creative entitlement as it was about wellbeing.” Sheila Ceccarelli, AccessArt

“I loved the experience and finding so many different ways that we can use art to express our feelings.” Student, Cambourne Village College
“I have really enjoyed myself.” Student, Cambourne Village College
“No comments. It was good.” Student, Cambourne Village College
“You could have more sessions!” Student, Cambourne Village College

“Looking back and writing it all down I can only admire the openness and honesty students have brought into the process of art making and wish we all could have this kind of freedom to express ourselves. Thank you!” Yael Pilowsky Bankirer, Psychotherapist

“Thank you all so much, for all your dedication and heartfelt passion about your work. The students all thoroughly enjoyed themselves, which was lovely to see.” Daisy Worzencraft, Inclusion manager, Cambourne Village College, Cambridgeshire

With permission and collaboration from students and staff at Cambourne Village College and supported by Gavin Clayton and Jessa Leff at Arts and Minds, Sheila Ceccarelli carefully captured the sessions on camera and Yael Pilowsky Bankirer wrote her reflections, from a psychoanalytic preservative, resulting in the creation of the resources below.

We hope these capture the magic that can happen when Art is presented to young people as a tool to transform, interpret and create, and will inspire collaborations between artists, schools and mental health practitioners in this much needed area of work.

Arts and Minds: Time to Introduce Ourselves – A Sculpture Challenge

We kicked off the programme with a quick making challenge which would act as an ice-breaker and introduce students to an array of materials. We kicked off the programme with a quick making challenge which would act as an ice-breaker and introduce students to an array of materials.

Arts and Minds: Asemic Writing and Invented Text

Students were given the opportunity to further explore expressive mark making as a tool for self-expression and a vehicle for communication. Students were given the opportunity to further explore expressive mark making as a tool for self-expression and a vehicle for communication.

Arts and Minds: Expressive Monoprinting on a Big Scale

Students enjoyed monoprinting on a large scale by rolling printing ink and acrylic paint directly onto the table and experimenting with ways to take prints. Students enjoyed monoprinting on a large scale by rolling printing ink and acrylic paint directly onto the table and experimenting with ways to take prints.

Constructing the World with Collage

Students were invited to use their previously created monoprints to construct large scale collages inspired by the landscape surrounding the college. Students were invited to use their previously created monoprints to construct large scale collages inspired by the landscape surrounding the college.

Manipulating Clay with Water

In this session teenagers had an abundance of clay and the freedom to play and manipulate form. In this session teenagers had an abundance of clay and the freedom to play and manipulate form.

With Special Thanks To:

And to Pink Pig sketchbooks for their continued support of AccessArt and providing young people with beautiful books for this project.

 

 

Building to the Limit

In this session students were given the challenge of making building blocks out of mixed media and using them to build a sculpture. They were encouraged to experiment with balancing different elements together and setting themselves the challenge of seeing how far they could build before their constructions collapsed. In this session students were given the challenge of making building blocks out of mixed media and using them to build a sculpture. They were encouraged to experiment with balancing different elements together and setting themselves the challenge of seeing how far they could build before their constructions collapsed.

Drawing for Mindfulness

Students were guided on drawing exercises designed to explore drawing as a tool for seeing and being in the here and now. Students were guided on drawing exercises designed to explore drawing as a tool for seeing and being in the here and now.

Feeling Through Drawing

Students were led on a guided drawing experience of drawing through touch. Students were led on a guided drawing experience of drawing through touch.

Arts and Minds: A ‘Heart-Work’ Conversation

Teenagers were introduced to graphite, charcoal, masking tape and acrylic paint as mediums for communal expressive mark making. A collective drawing was produced, whereby students were encouraged to work in collaboration and in response to each other. Teenagers were introduced to graphite, charcoal, masking tape and acrylic paint as mediums for communal expressive mark making. A collective drawing was produced, whereby students were encouraged to work in collaboration and in response to each other.

UK Charity AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.

Join AccessArt from only £3.50 per month and enjoy full access to hundreds more resources!

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Landscape Painting: Tone in the Landscape


Landscape Painting: A Collection of Resources by Hester Berry

Introduction to Landscape by Hester Berry

This introduction to landscape painting is an exercise in looking and discovering, browsing and daydreaming.

This introduction to landscape painting is an exercise in looking and discovering, browsing and daydreaming.

Landscape Painting: Tone in the Landscape

In this post Hester Berry explores tone as a crucial aspect of landscape drawing and painting. 

In this post Hester Berry explores tone as a crucial aspect of landscape drawing and painting. 

Landscape Painting: Plein Air Painting

Plein Air painting is the practice of painting outside, normally in front of one’s subject.

Plein Air painting is the practice of painting outside, normally in front of one’s subject.

Landscape Painting: Colour in the Landscape

Hester Berry shows how working with colour can be broken down, simplified and approached in a pragmatic way.

Hester Berry shows how working with colour can be broken down, simplified and approached in a pragmatic way.

landscape Painting: Expressive mark Making

Practice and hone technical skills, use of tone and colour, observation and time spent in the landscape.

Practice and hone technical skills, use of tone and colour, observation and time spent in the landscape.


Arts and Minds: Building to the Limit


Arts and Minds: Manipulating Clay with Water


Arts and Minds: Constructing the World with Collage


Arts and Minds: Expressive Monoprinting on a Big Scale


Arts and Minds: Drawing for Mindfulness


Arts and Minds: Feeling Through Drawing


Arts and Minds: Asemic Writing and Invented Text


Arts and Minds: A ‘Heart-Work’ Conversation


Arts and Minds: Time to Introduce Ourselves – A Sculpture Challenge


Sketchbook Exercise: Drawing Brushes with Charcoal


Making Giant Withie Lanterns


Make a Model Stitched House


50 Minutes Looking and Sketching Autumn Leaves

Monoprinting with Oil Pastel and Carbon Copy Paper

Paula Briggs introduces children in her drawing class , aged 6 - 9 to drawing fossils and carbon paper as a medium for monoprinting. Paula Briggs introduces children in her drawing class , aged 6 – 9 to drawing fossils and carbon paper as a medium for monoprinting.


Teenagers Write A Letter, A Postcard, A Poem or A Narrative in Invented Text


Ten Top Tips to Take Superb Pictures on Your Camera Phone by Ruth Purdy


What is a Canvas? Exploration Activity


Time to Introduce Ourselves – Initial Sculpture!